You know you trained Balanchine Part 3…

In today’s world of ballet, you have to be living under a rock not to know who Balanchine is. The opposite of that would be living in 1930 and thinking ballet has not changed. These days, the technique has been refined with the help of physics and anatomy. We have mastered our bodies through kinesiology. But musically, we owe Balanchine our understanding of music, and how a dancer approaches music. While classical ballet focuses on the movement first, or the role- the Balanchine aesthetic makes the music first. Everyone has their cup of tea; mine just happens to be vintage Mr. B, with a splash of milk and agave. Every time I take class somewhere else, or somewhere new the first thing that is usually said is, “Oh, your Balanchine trained.” I don’t know if it is supposed to be condescending, but I take it as a compliment. Then I realized every time I take a class that isn’t Balanchine based, my quads die, and I have never danced so slow in my life…

 

 

Serenade_Mear

 

So, while this Thanksgiving Morning I started off with a nice ballet class, I had time to reflect and think, “Thank God for the Balanchine Aesthetic.” In my thankfulness for Balanchine and the Balanchine Trust here are FIVE more You Know You Trained Balanchine if you are taking a technique class other than a Balanchine class and…

1. You are in a class other than a Balanchine class, and you are thinking, “Dear God, could you move any slower.”
2. You are surrounded by non-Balanchine dancers that don’t travel, so you are stuck falling over yourself because the girl in the sloppy bun won’t travel.
3. You are the only male in white ballet shoes.
4. When the teacher gives the frappé or petit allegro combo, and you are like… yes. Then you year the tempo and you are like… no.
5. When you are traveling and killing it in those long fourth positions for pirouettes, and the person you are going with across the floor gives you side eye.

And one more because it is Thanksgiving: You know you trained Balanchine when you are in a non Balanchine class and you think, “These combinations don’t even make sense with the music, and who makes up a combo like that? -____- Only a Russian teacher would give arms like that.”

a ballet education balanchine

George Balanchine

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