What Makes a Good Ballet Teacher?

There are so many types of teachers out there, it is important that parents and students know what they are getting. After working across the United States and talking to parents and students, I’ve realized that when it comes to ballet, a lot of people are getting ripped off, majorly ripped off. It is almost depressing. So, what makes a good teacher? What makes a great teacher? What are the differences in teachers? And how, as a dance teacher, do you make yourself better?

What makes a good ballet teacher

What is a Ballet Teacher? This is such a vague term… like such a vague term. Some teachers use certificates to justify their credentials… like the ABT National Training Certification or the RAD levels… Unfortunately, this doesn’t make them good teachers. Also, just because they were a principal dancer… that doesn’t make them a good teacher either. And, just because you have a Russian affiliation doesn’t make you a good teacher. And just because you graduated from a top ballet school doesn’t make you a good teacher either. Additionally, just because you have a college degree in dance or dance pedagogy or something random like a BFA from a random school; doesn’t mean you are going to be a good teacher.

Being a ballet teacher is hard because ballet itself is diverse. The pedagogy, ideology, and science differs accordingly based on each person. Sometimes this a good thing, sometimes it is a horrible thing and waste of money for parents. Not all pedagogies are created equally. and not all bodies can do any pedagogy.

What makes a good ballet teacher?
Multi-tasking: A good ballet teacher usually is someone who can inspire an entire class, while concentrating on the individual needs of each student, all while maintaining a precise curriculum.
Good Eyes: A good ballet teacher has a keen eye for body placement, alignment and can find minuscule errors when a child dances.
Good Ears: A good ballet teacher understands music and can hear multiple melodies and rhythms within a song.
Educated: A good ballet teacher understands anatomy, physiology, and kinesiology. Teachers should be able to prevent injuries with healthy technique and should guarantee well-shaped bodies.
Experience: Has experience within the professional world of ballet. It is important to have these experiences so you can help guide students into the professional world.
Connected: A good ballet teacher is still plugged into the ballet world, so they understand what is happening and what the industry is needing, wanting and demanding.
ballet-teacher-problems-3

What makes a great ballet teacher?
A good sculptor
: An exceptional ballet teacher can see beyond what is directly in front of them and can reshape the body and pull out the ballet technique from their students. This quality is actually very hard to find.

Don’t get me wrong, we need regular ballet teachers out there… but the problem is, that in today’s market of dancers, teachers have to be exceptional and create exceptional dancers. It isn’t good enough to just teach a plié by saying it means “to bend” and then demonstrate the bending of the knees. You physically have to get on your hands and knees, and explain that it is a constant action because it is a verb. It never stops, and it isn’t initiated from the knees, a plié comes from the pressure in the hips rotating outwards and the muscles rotating back, without strain, so much that it causes the knees to bend. The fact that the femur head has to be inside the pelvis, the weight placement has to be so precise. And the depth of the plié has to be controlled from the achilles without pronating or “rolling” of the feet.

  • If your ballet teacher just walks around the room and gives general corrections… bad teacher.
  • If your teacher sits in a chair and just directs and yells… bad teacher… maybe better off to be a director.
  • If your teacher can’t explain the physics and science behind ballet… bad teacher.
  • If you are noticing your muscles shaping to be large or bulky… super bad ballet teacher.. and if they tell you it’s genetics… just walk out.
  • If your teacher tells you that it’s normal to be injured and you have to work through it… HORRIBLE TEACHER!! GET OUT BEFORE YOU BREAK YOUR BODY.
  • If your teacher tells you that you will never be a dancer… definitely get the hell out there.

What is a Master Teacher? a master teacher is someone who has dedicated quite a bit of time and energy on their craft of teaching and has become recognized as one of the greats. Usually, these wonderful people are specifically focused on technique. This title usually refers to someone who has honed their skills as a teacher, and was able to create a method to improve or change the ballet technique for the better. They are everything mentioned above and magnified. To note some of America’s best: Bruce Marks, Finis Jung, Willy Burmann, Marcia Dale Weary and the late David Howard. (I’m not claiming I’m a master teacher, but this is the category I have fallen into, not really by choice.)

…Faculty– Faculty is usually associated with a school, specifically a school with a solid curriculum. A faculty is usually pieced together based on educational credentials, and each faculty member brings something different to create an overall aesthetic or pedagogy of teaching.

…Coach– A coach usually focuses on one thing. Each coach has a specialty, like stretching or port de bras, artistry or turns.

…Ballet Master/ Ballet Mistress– by definition this person is employed by a ballet company to teach and rehearse dancers. Note, you have to employed by a ballet company… a real one. These professionals have usually danced a full repertory and they share their experiences with other dancers in terms of coaching for a role. (Such hard work, I do this too… and it’s exhausting.)

…Répétiteur– Is someone in the craft of staging and translating ballets. Being a répétiteur is one of the hardest jobs in ballet because you have to know everyone’s part, and what is going on at all times on the stage. Their focus isn’t really technique, but production and precision. (I have just started staging full ballets and translating them onto companies and schools, and I have to say, it is a lot of work. Like a lot of work.)

…Director– Someone with a vision… This doesn’t necessarily mean they are the best teacher. Directors have the ability to see an artistic vision and execute it. Usually, they are also decent teachers, decent repetiteurs and have ballet mastered at some point.

…Guest Teacher– Usually, a big name dancer/teacher coming in to share experiences, tips and more. Guest teachers usually have a different take on students as they are there for 3 hours and then they are gone. They are brought in to supplement the training and inspire students. Guest teachers help try to assess and push the kids as hard as they can in a very short amount of time.

If you are a teacher and you want to better yourself, for your school, students and your own self fulfillment.. If you are interested in the Ballet Education Curriculum or Ballet Education Teacher Training Workshop, feel free to contact me here.


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7 thoughts on “What Makes a Good Ballet Teacher?

  1. David Alexander says:

    Please include in your list of attributes of a good teacher……… knowledge of child and adolescent development. Knowing what child and teen developmental characteristics are and how to accommodate to them as a teacher is basic to good everything when it comes to enabling learning and development in others.

    Liked by 1 person

  2. Inna says:

    Willy Burmann? Master ballet teacher? No way. He’s cruel to the pianist, and is more in that “sitting on the chair and yelling” phase you described. I know a lot of “City Ballet” people worship him, ballet stars like to pose with him for Instagrammable pictures, but that’s about it. I have had my share of harsh teachers who I do consider masters nonetheless, but he doesn’t cut it. He’s cold, mean, and just stingy is the best way to put it. Otherwise, great article. I just couldn’t keep me mouth shut on that one part.

    Like

  3. Iskra Ring says:

    A valuable summary of what every teacher must always keep in mind!
    I would like to add that a truly good teacher of ballet needs a long experience of teaching at all levels from amateurs to professional training. Always explain why and how. Be clear and never let your ego get in the way – and never “compete” with your students.
    Good luck dear colleagues.
    Iskra Ring.🌹

    Like

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