Congratulations to the winners of the male-dominated year at the Youth America Grand Prix. While the past three years of the Youth America Grand Prix have been intense, this year seemed to be even more exhausting with the new rule changes. If you don’t know about the rules change that had everyone upset, it basically stated that regardless of the score, the invitation to New York Finals would be based on the discretion of the judges. While we shouldn’t downplay this year’s winners, there was a lot of criticism over YAGP’s 20th season. The Big Winners of the Youth America Grand Prix are:
The Grand Prix was awarded to Gabriel Figueredo (18) from the John Cranko School in Germany. If you don’t follow him, he just won a prize at the Prix De Lausanne. He also won the Dance Europe Award. The senior category seemed to be dominated by Spanish speaking countries and dancers. The winners in the senior category included dancers from Portugal, Argentina, Cuba, Peru, Switzerland, and Australia. No one from the United States placed in seniors including seniors who placed last year. The competition has become extremely stiff as the influx of European Dancers has come through.
The Youth Grand Prix was given to Darrion Sellman (14) from Southern California. He is also a finalist for the California Spotlight Awards. His win places him over Rebecca Alexandria Hadibroto (12) who won first in pre-comp last year from Indonesia, Ava Arbuckle (14) from Elite Classical Coaching and who just had a win at ADC IBC, Madison Brown (13), Misha Broderick (13), Andrew Jesus (13) of Brazil, and Seungmin (14) Lee of South Korea.
The Hope Award went to Corbin Holloway of City Dance. The Pre-Competitive Division this year was filled with talent but the following three places were all dancers from Europe. Martha Savin of Romania, Kseniya Kosava of Belarus, and Natasha Furman who is from the US, but is of European descent. It once again reinforces the “ideals” of ballet body types and how genetics plays the most significant role in whether or not one might become a dancer.
The Pas De Deux went to Youth Grand Prix Winners Madison Penney (2017) and Antonio Casalinho (2018). This win makes Madison’s second big win at the YAGP and Antonio’s third. They won with Grand Pas Classique.
The other big wins at the YAGP this year included:
The Shelley King Award for Excellence: Sumer Duvyestyn (12) from Classical Coaching, Australia
The Grishko Model Search Award: Elite Classical Coaching’s Ava Arbuckle (14)
The Natalia Makanrova Award for Artistry: Anastasia Poltnikova (17), Bolshoi Ballet Academy, Russia
The Mary Day Award for Artistry: Joao Vitor da Silva (15), Brazil’s Ballet Vortice
The Outstanding Choreographer Award went to Make Miyauchi and Christina Bucci of Yarita You Ballet Studio of Japan.
The Outstanding Teacher Award went to Mariaelena Ruiz of Cary Ballet Conservatory.
Whether or not you like the YAGP, or agree with it, the YAGP is an excellent opportunity for young dancers who are aspiring to make it in the world of dance. But again, winning isn’t everything, and you shouldn’t be discouraged if you didn’t place at New York Finals. While Ballet in popularity is growing, this once again means that the pool of talent to pull from is even more significant than ever, and makes it even harder to separate yourself from the politics of body type and prestigious schools. This is just another need and emphasis to find GOOD TRAINING and GOOD COACHING.
Personally, I didn’t go to YAGP Finals this year; Mostly because my students have already been accepted into their year round schools on scholarship at Royal Ballet Upper School, San Francisco Ballet School, and the School of American Ballet so they didn’t really need to go and take away a scholarship spot from another potential dancer. But, everyone asked why I didn’t attend the YAGP as press. This year, I have been beyond exhausted and have been battling depression so I needed time to clear my head and be away from ballet. And there is no better time than YAGP Finals as everyone in Ballet is in NYC, so I can be alone in California and not have to be around it. People are asking if I am going to be focused on YAGP next year, and the answer in truth is I don’t know.
Photos courtesy of VAM PRODUCTIONS