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San Francisco Ballet’s

The Little Mermaid

APRIL 19, 2019
Tamara Sparkles

Watching Yuan Yuan Tan perform “The Little Mermaid” is something that I will remember for a long time. She exudes the vibrant mystique that you want to believe in when it comes to the dark sorted tale of unrequited love that is Hans Christian Andersen’s original fable.

Ms. Tan’s port de bras simply surpass any visual expectation. They are surreal. She is lifted and tossed by her men of the ocean, and you honestly believe that she IS the ethereal underwater creature that she is portraying. With a flawless, undulating wave and a supple back, she truly transforms into the naive, beautiful mermaid we are all sympathizing with as she visits the Sea Witch to exchange her tail, and her voice for a love that can never exist. There are moments where Ms. Tan makes the romantic tragedy so real you can feel it in your bones; this is both through the beautiful choreography of John Neumeier and her stellar exploration of this character. Yuan Yuan Tan is unmatched in this ballet. It truly belongs to her.

Aaron Robinson was perfectly playful to the beautiful Mermaid with his gorgeous romantic movement and festive innocent flirtations. His lines and communications of the love of both the Princess (the stunning Sasha DeSola) and The Little Mermaid were clear and thoughtful. Also, his jumps are solidly clean and delicious.

Sasha DeSola is the consummate Princess. She is effortless. Her technique is clear and precise, and her sense of royalty seems inherent. When she appears on deck in her hot pink jumpsuit, so flirtatious, so young and in love…She is everything. You are watching only her. It is easy to feel sympathy for the Little Mermaid up against such a formidable romantic rival.

My favorite moments of John Neumeier’s beautifully epic ballet lie with the Poet (Ulrik Birkkjaer) and the Sea Witch (Wei Wang). The Poet, Ulrik Birkkjaer leads us through this story with beauty and grace dancing seamlessly under the water, on the ship, and in the heavens. He knows what is happening, what is about to happen and our heart breaks with his as the story unfolds. Ulrik is strong and filled with depth. He blends in as the Poet and yet cannot be ignored when on stage. He is a storyteller.
Wei Wang, as the Sea Witch is incredible. You want to see him as the villain, but it’s nearly impossible because his dancing is so extraordinary. He embodies the regal eel-like creature that strikes a deal with The Little Mermaid that eventually turns so dark.

There is a moment at the end, where the Little Mermaid and The Poet are lifted into the night sky on a platform of stars, it is worthy of all of our tears for all of our loves that were never returned. Congratulations to everyone at San Francisco Ballet on a beautiful run of this majestic ballet.

The Little Mermaid: Yuan Yuan Tan
Prince / Edvard: Aaron Robison
Poet / Hans Christian Andersen: Ulrik Birkkjaer
Princess / Henriette: Sasha De Sola
Sea Witch: Wei Wang

http://www.sfballet.org
Photos courtesy of San Francisco Ballet, ©Erik Tomasson

Tamara Sparkles

Contributor | San Francisco

Tamara is a California native with a passion and understanding for dance education that stems from 30 years of teaching experience. She is available for private coaching in the Bay the area.

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