How big is too big? How much would you do for your son or daughter? Recently something came up that isn’t necessarily rare in ballet, but it is definitely something unspoken. Your child did everything right. Started ballet at three, became serious at eight, and at twelve, she was accepted to School of American Ballet on scholarship. She spent her next three summers at PNB, Houston and Boston. Again, you did everything right. You spent the money on a great year round studio; you drove a 40-minute commute to make sure she got the best training in your area. You rarely see your other kids because of long hours at the studio. Then at fifteen your daughter’s body changed, and she grew breasts. She grew a “c cup” but the remainder of her body was thin… This year she auditioned and didn’t get into a big ten school, but waitlisted to Boston. What do you do?
Is it okay when your fifteen-year-old daughter asks for a breast reduction to have a fighting chance in ballet?
I know plenty of girls who have gotten nose jobs, boob jobs, their ears pinned back and more to obtain a better line, a better physique, a prettier face. Most of these girls have contracts with major companies. So is it wrong? Living in Los Angeles it is normal for a girl to get a new nose for her sixteenth birthday. And it is normal for a girl to get implants at twenty-one. But, for some reason, when a fifteen-year-old girl asks for a breast reduction just to have a fighting chance in ballet… The world becomes completely unfair and my anger at ballet builds and explodes… So here is my post for the night:
Ballet Companies and ballet schools are two peas in a pod, but can be extremely different. The pod is ballet. Unfortunately, schools seem to be even more demanding than a company. This is true from the get go. In ballet school, you learn the most ridiculous combinations, and do the most ridiculous things, and over work your body till exhaustion. In a ballet company, the combinations are to warm your body up and to stay sharp. You don’t take more than one class in a day, and you spend most of your days in rehearsals. Sure, school builds stamina and teaches you worth ethic, but the demands on a ballet student are completely different than in a company. Both are extremely stressful but different. But it seems ballet schools are even more demanding than ballet companies.
The body type factor was extremely apparent this year. This year, I went to watch my students audition, and it seems that the push towards “perfect” bodies is more apparent now more than ever. Schools won’t even give you a chance is your body type is remotely different or differently proportioned. It seems schools are seeking taller dancers with extreme European proportions. And, with the influx of ballet students worldwide, they get to choose these body types, even now more than ever. Because of this, I now have a student who has to find a way to have a breast reduction because her chest is too developed.She is Latina, and her genetic body type is predetermined, she now has to find a way to raise money, secretly, to even have a fighting chance in ballet.
Yes, every body type is predetermined, but race and genetics continue to be a wall in ballet. The older generations of ballet teachers might not even understand ethnic body types, how they work, how different individuals and body types translate ballet technique. It is so frustrating, and while I do understand these racial body types, if other teachers and school directors are not familiarizing themselves with this process, then ballet will never change. That means the 2 percent of ethnic body types that fit the “ideal body type” will make it, the rest won’t.
This leads to me to say, shame on all of you school directors. As Artistic Directors only can pick from what you give them, get off your high horse and give them some diversity. But if you are presenting artistic directors with one body type, one ethnicity, shame on you. If you can’t grasp the idea of an ethnic body type in your school, or make allowances for ethnic predispositions, super shame on you. Actually, shame on all of you… So to PNB, SAB, HOUSTON, and BOSTON BALLET SCHOOLS… You missed out on a great dancer, with a great work ethic, who is exceptionally gifted. And while you go on your summer audition tour and make all of the money you make, just know, that either because of racism, body type, or lack of experience with ethnic body types… You are now making children want to alter their bodies to please you.
You might think that I am ridiculous. That I am just mad that my student gets into a school of their choice. But seriously, she is technically gifted at every standard: perfect turn out, hypermobile, beautiful feet, hyperextended; triple pirouettes left and right en pointe, 180 penche, oversplit saute chats, beautiful musicality, and a hard work ethic. If you are asking for more than that, then good luck with your schools…
This isn’t the first time this has come up, and I know a couple moms here have written in and I avoided responding… Well, I’m tired of waiting for ballet to change…
3 responses to “BREAST REDUCTIONS FOR BALLET GIRLS…”
I suggest your student search for various interviews with Sarah Hay, the recent star of “Flesh and Bone” on Starz. In fact, I recall an article about her a few years ago, before she was as well known. I believe it was in Pointe and specifically addressed this issue. She never had surgery and has achieved a great deal of success in ballet.
Here is a start
You tell’em David King!!! Get these directors’ heads out of the sand. The world outside of their studios has changed – and audiences want to see diversity on the stage. I refuse to pay money to watch a new movie that has no ethnic diversity among its starring cast, not just in the background. And I got this idea from others who do the same. Get with the program ballet schools and companies – modern audiences want to see the beautiful kaleidoscope of ethnic diversity of our neighborhoods reflected on the stage.
It’s an antiquated idea and somehow these old dinosaurs who run this industry say this is a standard. Small or no breasts or the dancers will not pass the audition. In the real world, dancers with larger breasts will sell more tickets. Who pays for the ballet tickets? The husband. Does he care about classical music and swan dance? No, he wants to see boobs after a long working day.