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EVERY BALLET TEACHER NEEDS THIS…

a vacation… haha just kidding, no really they do, myself included… But who has time these days to go on vacation?

Now for the real post…

As a ballet teacher, I always find it hard to find good ballet music. Sure, there are a lot of great CDs out there, but sometimes the quality is not that great, the tracks aren’t long enough for longer combinations, the tempos don’t make a lot of sense, or they are just structured kind of funny. The reality is, it would be nice to have a pianist that can play by ear and understand how to play with music in correlation to the steps, but if the budget isn’t there it isn’t there. For the past couple years, I have been mixing and matching CDs together and creating my own playlists of different CDs. Some of my favorite accompanists include (Charles Matthews, Alessio De Franzoni, David Plumpton, Nate Fifield and Gill Civil) All of these accompanists are brilliant for ballet class and all for different reasons. But, my newest, and latest and greatest discovery is for VARIATIONS class. This is a must have for every ballet teacher out there. UK based Charles Matthews recently created a collection of CDs that are rehearsal versions of variations for men and women. The collection spans 8 discs but covers literally every variation you will ever need. Specifically, there is a great rehearsal version of Laurencia and his rehearsal version for Talisman. These discs are affordable through his website, and a little more expensive on iTunes, but available. The sound quality is great, and are set at great tempos for all levels of dancing. For beginners it lets the dancers focus on the steps and technique. For the intermediate dancer it allows for the dancer to explore phrasing within the melody. And for for the advance dancer, it allows for artistic exploration within all of the notes he captures from the orchestrated versions.

Another great set of music he created are his ballet class discs as a lot of the music is ballet repertory music, so it helps familiarize students with music from the ballet. It also helps them learn how to recognize music from different ballet scores. It is definitely something worth the purchase, and a great teaching tool. It is also a great companion to the Guide to Variations.

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One response to “EVERY BALLET TEACHER NEEDS THIS…”

  1. These sound fantastic. I’ll have to check them out! Thanks ^-^ (FWIW, Plumpton is a also favorite of mine. I love the musicality of his ballet-class music, as odd as that seems to write :D)