Following up on Notes on First Position… Second position is the logical next position to learn, in fact, a lot of students will learn second position prior to first. There is a lot less to mess up in second position. Well, that is a lie.
Second position is just as hard as first position. In second, the lack of rotation or the abundance of rotation is more apparent than first. A large mistake in second position is the width… How wide to make your second. Classical ballet calls for your heels to be under your shoulders, while more contemporary teachers ask for a larger second. The larger the second the more support is needed from the hips and sartorius, especially while trying to plié or maneuver in and out of the position. The width also is relevant to how strong the dancer is. To relevé in this position en pointe, the dancer can only be as wide as they are strong enough to get over the box.
A lot of the same principals apply to second position, but I feel like in second position you have to be higher in the hips because your weight has to be centered while your legs are separated out from the hips. To get higher in the hips you have to really focus on engaging your hip flexors and psoas and keep the hamstrings long and active. You don’t want to sit back in your legs in second, which is a common mistake students make. Keep the pelvis in neutral and the quads relaxed. Don’t ever grip.
Second position is also one of the more severe positions because it shows the body in all proportions. Kind of like DaVinci’s Vitruvian Man, all limbs are spread. Energy has to be channeled from all four limbs and the head. You have to have quite a bit of stretch in the position.
At the same time you have to have quite a bit of control as you have to also have a lot of energy focusing inward. Second position is important as it sets up half of the steps in center. The stronger the position at barre, the stronger the center work will be. Like… glissade, sautebasque, and jete. Regardless, the position has to be strong.
Pliés in second are an easy way to strengthen the inner thigh and core. Don’t over rotate, don’t let your hips tip, and make sure your knees are aligned with your second toe. Don’t grip your quads, and definitely make sure your weight is centered between your hips, feet, front and back.
Pilates. Focusing on nonweight bearing exercises that go from parallel to turn out in second are extremely helpful. It will also help isolate the proper muscles needed.
SECOND POSITION FOR THE OLDER DANCER
So, normally, second position would be super easy for me. Now that I am older, and my body doesn’t want to just relax into ballet positions, second position puts me in quite a predicament. So, normally, I would have a rather large second position, but as I plié I can feel the strain in my knees. But, when I decrease the width of the position my hips can’t take it. The compromise? Wide second with less turn out. I can stabilize my hips and knees a lot more and even if standing side profile I look stupid, and ridiculously turned in so be it. The last thing I want is to rip up my knees for the sake of losing weight.
Over two hundred of my doodles. The third book.
One response to “Notes on Second Position”
Very informative and helpful!