Looking Back at 2020

It is that time of year, the end of the year, but what is usually a time of reflection and growth seems to be overshadowed by the gloom, hatred, and uncertainty of 2021. Most everyone right now can’t wait for 2021, the new year bringing a sense of hope for the future, that all of the negativity is going to stay in 2020, and I hope that too… While the world of Instagram and social media is having everyone repost their highlights of the year and their top 9 (don’t get me wrong, I did it too), I actually had to take a step back and be thankful for this year. First, let me thank all of you for your continuous support, readership, and following. This year we have donated over $30,000 in scholarships/company donations/causes and have given away over $5,000 in products and gift cards to amazing brands.

Evelyn Lyman, The Ballet Clinic, photographed by Ashley Lorraine Baker

This year I had a lot to be thankful for… In January I was as happy as a clam, minding my own business, teaching, hanging out, and trying to start settling down in Scottsdale. We had our Winter Intensives, and we started the choreography for our June Show. In February we did our Valentine’s Day shoot and I took kids to compete at the YAGP Semi-Final New York. In March, I went to Kansas City’s YAGP Semi-Final. By March 16th, we were at home on quarantine orders, and everything completely shifted into chaos and the new normal…

But during quarantine, I was able to focus a lot on A Ballet Education, I had so much free time since I was not in the studio or guest teaching. When things started to go sideways, I decided to make a planner that would help all of my students keep track of Zoom Codes and staying in shape. Little did I know that it was going to explode and that by May 2020, we would have shipped over 1,000 planners worldwide.

Additionally, Ashley and I were able to refocus our efforts on the Magazine and bring on Elizabeth Weldon to help create a stunning issue that would continue to grow throughout the rest of the year.

Issue 19

By June 2020, we were back in the studios, without masks. We were told it was safe, and things were slowing down. Little did we know that would only last two weeks before we were back to stay-at-home orders. By August, we were back in studios but were only allowed to have six kids at a time, and so we were putting in 10 hour days trying to see all of our students at least once a day. Then, by September, we were told we would be allowed to open again with masks… And so, Season two of the Ballet Clinic Resumed, our faculty had expanded from three to six, and our student population had grown from 12 to 32, and we published the beautiful September Issue.

Ginabel Peterson, Jazz Bynum, Katlyn Addison, and Gabrielle Salvatto of Ballet West photographed by Joshua Whitehead.

Our season kicked off to a great start.

In October, we launched the ABE Merch Line along with our Spooky Season Stuff!

By December, we were back in the full swing of things. The magazine has grown, the ABE Merch was taking off, the planners are still going like hotcakes, and our December Issue had come out.

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Another new challenge that December brought was live broadcasting our exams at The Ballet Clinic. It was a very fun new challenge, but we were able to produce amazing live streams and broadcast the exams so parents could see.

So as you can see, I have a lot to be thankful for this year. And while this year brought chaos, destroyed the world of arts, and financially broke the system, it also brought me passion, it brought creativity, it brought me the willingness to fight and keep going for everything I love so much. This year has been hell, this year has been a shit storm, but this year has also made me work even harder, and reminded me that nothing is guaranteed. This year has given me amazing collaborations with Tea Leaves and Co, NG Generation and Grishko World, Cary Conservatory, Elite Classical Coaching, winning outstanding teacher at YAGP, being listed as one of the top ballet schools in the country, being nominated for Influential Contributor and Influencer, and so much more.

As I move on to 2021, I am excited for the next year. I am excited for The Ballet Clinic Season 3. I am excited to see what the future holds for my students, and I am excited that A Ballet Education, A Ballet Magazine, A Ballet Network, The Ballet Clinic, and The Pointe Shoe Clinic are thriving.

So peace out 2020. It has been real.


David JW King
www.Davidjwking.com
www.ABalletEducation.com
www.ABalletMagazine.com
www.ABalletNetwork.com
www.TheBalletClinic.com
www.ThePointeShoeClinic.com


THE SUMMER ISSUE IS HERE!

THE SUMMER ISSUE

Our Summer Issue is here! 120 beautiful pages! During this pandemic, A Ballet Education was lucky enough to not only survive, but thrive and come together and create art. This amazing issue includes numerous dancers from around the world, and is a reminder of what ballet was, is and going to be.

This issue is full of amazing articles including:

 –The New Normal, our coverstory by Elizabeth Weldon, photographed by Ashley Baker featuring ABT Studio Company’s Elisabeth Beyer. 

-How Small Businesses are Navigating the COVID-19 Crisis

-College & COVID by Bethanne Black

Preview the magazine below, and subscribe to view the full issue. 

A Ballet Education’s A Ballet Magazine is published through JooMag. 

ISSUE 15

A BALLET EDUCATION
ISSUE 15

ISSUE 15

Issue 15 features Catherine Lewellen, the director of Elite Classical Coaching. The cover and editorial spread of this issue was photographed by JoLee Photography. This amazing issue showcases the amazing talent of Elite Classical Coaching and a look at social media in ballet.

Read It On Joo Mag

IN THIS ISSUE

David King

Founder & Editor-in-Chief

JoLee Photography

Cover Photographer

Ashley Baker

Contributing Editor & photographer

How is your week?

a Ballet Edcuation Planner 2

Ballet is busy! Most professional dancers are the middle of the busiest time of year for a company. Most students are in the middle of auditions and preparing for the YAGP. It can get a little chaotic… okay a lot chaotic. The first round of planners is now available, and I want your feed back, so feel free to message me with suggestions, ideas, and comments. Don’t forget to tag me in your photos or use #aballeteducation on Instagram so I can see your pages!!

a ballet education planner 3

 


 Don’t worry guys, I’ve got you covered. Week four!! Manly Ballet.

male ballet

 

Fall in Love with Adi and Taras

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Issue 9

For some, dancing in a company isn’t enough. A new and growing trend in professional ballet careers is the Freelance Ballet Dancer. This isn’t an easy feat, either. You can’t just wake up one day and decide, “Hey, I am going to be a Freelance Ballerina.” It definitely doesn’t work that way. Most freelance dancers are coming from major companies, or have become Instagram-famous enough to book work for themselves. But, being a freelance dancer isn’t enough. There is the Freelance Power Couple, and Adiarys Almeida and Taras Domitro just might have figured it out. Both left major companies. Most notably, Domitro just recently left his principal contract at San Francisco Ballet. If you don’t follow them on Instagram, you probably have seen Adiarys turn like a top and Taras jump to new heights effortlessly.

The two have now partnered up and have been making their gala appearances all over the world, performing demanding repertoire but still exuding artistry. But it’t not as easy as they make it look. These two have dedicated their lives to the world of ballet, and by all accounts, they aren’t slowing down anytime soon. A Ballet Education was lucky enough to have this dynamic power couple grace the cover of our ninth issue. We think you’ll enjoy reading about what it’s like for them to be freelance artists. (To read more click here.)

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See them perform at the Golden Swan Gala hosted by A Ballet Education and the Phoenix Ballet

Shop Adi Dancewear Today!

 

This Week In Ballet…

ballet news topIt is the first week of 2018, and it already has me thinking… a lot. Between Peter Martins retiring, YAGP Philadelphia being postponed, YAGP Seattle underway, new job offers, new job titles and the pressure of ballet building… it has really made me start to think about a life outside of ballet.  Don’t forget you can watch live streams of the YAGP… you have to pay… but it’s enjoyable.

Let us recap A Ballet Education’s Ups and Downs of 2017…
January: I left a job that was basically a lie and the board was stealing. Found out my blog was ranked number 2 as a dance resource and ballet blog in the world, over the Gaurdian, NYT, and Pointe.
February: Depressed.
yagp finals
March: YAGP FINALS, developped a tremor in my hand and body, quit drinking
April: Blogging and Writing, went Gluten Free
May: Master Teaching Everywhere, became a Red Bubble Top Seller
June: Offered the Job at American National Ballet, met some really great people.
July: Master Teaching at Masters,
August: Moved to Charleston… mid August- left ANB, went Vegetarian
September: Blogging and Writing and Teaching Everywhere, made it one year of the magazine.
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October: Given the Chance to work at Phoenix Ballet, got screwed over by close friends, went Vegan
November: Guest taught more, wrote more, traveled to a million places… Worked on my getting my children’s book out there again… fail.
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December: Survived 16 shows of Nutcracker as Executive Director, photographer, Guild Coordinator, celebrated Christmas with my family… barely wrote. Lost a ton of weight.

Don’t get me wrong, I saw a lot of great ballet and had amazing opportunities. I am just glad I can look back at 2017 and be done with it.

… now onto January 2018 

So far, I have found out that my blog is now Ranked Number 1.
I was given the chance to freelance work in fashion again, and enjoyed it. I have only had two flights delayed, one in which I canceled. Given the chance to buyout of my place in Charleston, which I haven’t been to 3 months. I miss my bed, my clothes, my books. Now I have to figure out those logistics. Mmmm, signed two cool deals that will launch in March.
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Decided to cut back on teaching this year and focus on the things that I want in life… And it is only day 5, so I can’t really say it is that great of an accomplishment, but I quit smoking. Have turned into a raging b*tch… But decided since my tremor hasn’t come back to attempt the gym and ballet classes again…

 

 

 

The Top Ten Ballet Companies (2017 Edition)

Top 10 Ballet companies 2017

Ballet is progressing at such a fast rate that it seems impossible to keep up with all of the changes. This year, the idea of ballet has shifted even more. From spectacular premiers and wondrous PR Campaigns, ballet truly has a lot to honor this year. Every ballet company has something to offer the world, and nowadays, prestige or reputation isn’t enough. So, without further adieu, a Ballet Education’s TOP TEN BALLET COMPANIES 2017 EDITION.

1.The first company this year is English National Ballet for their premiere of Giselle. Sculpted by female artistic director Tamara Rojo, English National Ballet premiered their work of Akram Kahn’s Giselle. This has probably been the most innovative work the ballet world as seen in a long time. From primal movements to a new score, this new ballet captures the fundamentals of raw human emotions.


More info on Akram Khan’s Giselle: http://giselle.ballet.org.uk/

2 + 3 Royal Ballet & San Francisco Ballet // Liam Scarlett’s Frankenstein
http://www.roh.org.uk/about/the-royal-ballet
http://sfballet.org

4. New York City Ballet // Justin Peck’s The Times are Racing

http://nycballet.com

5. Het National Ballet // Night Fall

6. Staatsballett (Berlin)

7. Bolshoi Ballet

8. American Ballet Theatre

9. Paris Opera Ballet

10+11. The Australian Ballet, National Ballet of Canada

You can read more about these companies in the magazine by clicking here.
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