Most ballets can be summed up in one word.
Swan Lake: Dramatic
Corsaire: Pirates
La Bayadere: Sexy
Nutcracker: Whimsical
and then there is Giselle: Tragedy.
Giselle is the ultimate tragedy. It is the ballet of a love scorn woman and the fiery that comes to haunt cheating men. The story of Giselle is summed up in two short sweet acts that showcase a ballerina in all her glory. In Act 1 Giselle comes out as a wide eyed, beautiful and naive girl. By the end of Act 1 she is going crazy, which in this scene, it will make or break the performance. Yes, we all care about the ballerina’s hops on pointe in her first act variation, and we live for her extensions in the second act, but we really just care about her mad scene. Then in second act, she is revealed as a willie, and is now just an afterthought. As second act progresses, it is more womanly, and in control. The ballerina dancing must now be spirit like, floating across the stage, mournful in the beginning, angered by Alberecht’s visit, and then sorrowful to his downfall. Yup, a whole lot going on for such a short performance. It is crazy to think of how we have compacted it, but if Giselle was any longer it would be boring.
So, here are 5 things that make a good Giselle:
- Don’t over do it. That painful face is painful to watch.
- Please have good feet, and high extensions, because if you don’t… second act isn’t really that great.
- When going mad, make sure your hair looks good down. Sometimes, it looks like it is still wet from hair spray, or it doesn’t come undone well. Please practice. If your hair is thin, use extensions. Hair should not be dead.
- Make sure your bourres are seamless in the second act entrance. There is nothing more exhausting to watch than bad bourres.
- Don’t look constipated in second act.
In retrospect, Giselle is really easy to mess up.
Alessandra Ferri, this ballet just might truly belong to you….