ISSUE 11

YAGP COVER 11copy copy
ISSUE 11

Inside the world’s largest ballet competition. This year over 10,000 kids auditioned and competed at the Youth America Grand Prix and tens of thousands of dollars in scholarships were given out to promising young talent across the world. This issue is packed with the enormous talents emerging from the Youth America Grand Prix.

The Cover Features:
Brady Farrar, Misha Broderick, Joel Dichter, Madyson Grobe, Remie Madeline Goins, Jolie Rose Lombardo, Tia Wenkman, Kaeli Ware, Bel Pickering, Kali Kleiman, Lily Turner and Ava Arbuckle.

Reviews of Atlanta Ballet and Dance Theatre of Harlem & much more in the issue.

The issue comes out on FRIDAY!!! Until then…

Check out these young superstars on Instagram:

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David wants to go Blog the YAGP… via VLOG

Haha…. soooo this is random but kind of true!

GOAL: To go to the YAGP for the week leading up to it and blog… via video, photo, snapchat, insta and of course the blog….

Cost:
Hotel and Airfare: $4,200 April 20th-30th
Food: $400
Misc Expenses: camera, cab rides, metro card and all that good stuff $500

PLEASE…. and thank you.
you can donate via PayPal to aballeteducation@gmail.com

The Next Superstars of Ballet

hang yu prix de lausanne

and the next superstars of ballet are…. (winners of the 2016 Prix De Lausanne)

126. Hang YU, 16 years old, China (Shanghai Dance School)
307. Madison YOUNG, 17 years old, USA (Houston Ballet Academy)
417. Vincenzo DI PRIMO, 18 years old, Italy (Vienna State Opera)
206. Leroy MOKGATLE, 16 years old, South Africa (Art of Motion South Africa)
314. Laura FERNANDEZ, 18 years old, Switzerland (TAZ Tanzakademie Zurich and Vaganova Ballet Academy St Petersburg)
205. Junnosuke NAKAMURA, 16 years old, Japan (Acri-Horimoto Ballet Academy)
211. Dingkai BAI, 16 years old, China (Shanghai Dance School)

Contemporary Dance Prize
314. Laura Fernandez and Vincenzo Di Primo

Best Swiss Candidate
Laura Fernandez

Audience Favorite
Leroy Mokgatle

Prix Jeune Espoir
Danbi Kim, 15 years old, South Korea (LeeWon-A Dance Academy)

BIG THINGS FOR A BALLET EDUCATION

ballet1

So, I have decided to launch a few big things for a Ballet Education, and I hope they are helpful… But, unfortunately it will take a little bit of capitol. If you have enjoyed reading my blog, minus the grammar mistakes, you can now donate so I can pay an editor to go back through and edit everything. I just don’t have the time. Even now, I am using SIRI to update this blog while driving to an event in Los Angeles.

Here is what I was thinking…

book cover mock up

yes, I would like to publish a book…

COMING SOON... available via iPhone, iPad, Android, Desktop, Digital Download
COMING SOON…
available via iPhone, iPad, Android, Desktop, Digital Download

and yes… I want to release digital books of things that are important…

And I would like to redesign the site.

And I would like to be able to start a youtube channel with how to do real ballet techniques…

Sooooo, if you are interested please donate or email me aballeteducation@gmail.com

Thanks.

Really… the odds are never in your favor… Prix de Laussane pt 2

So, after a few people adding their “insight” into the post about the Prix… lets be real here…the prix was founded in 1973, which means that ballet was still developing in South America and Asia. With that being said, we have to take that into account on the overall demographics of the prix… Ironically, Japan holds 57 winners, with their first win in 1978. Now, if we want to take into consideration population of this country, 127 million, the odds of a Japanese winner at the prix is roughly 4.4%. This is not taking into consideration the time span of their first win, and the changes of population. Not good odds… While say, someone from Australia’s chances of winning are 7.7% (holding 17 prizewinners since 1976, with a population of 23 million). The reality is now that the chances of a person from a country winning are less than .01% (The world’s population is 7 billion) which means to be selected into the finals 2.8 people out of a billion people will be selected… which is why it is a heralding compliment to be selected. Pretty insane right?

Now, the US, has a population standing at 316 million, and has had roughly 22 prize winners since 1979… that means the chances of a prize winner from the US is at 6%. Which means, out of the world population, the odds of a US Candidate winning is slightly larger than say someone from Australia or Belgium. Yet, Belgium has had 19 wins, from a population of 11 million. Korea has had 16 wins.

Now, if we want to look at the data of possible outcomes, the odds are still not in favor… From the prix’s conception there has been roughly 391 awards given out… Which means the odds of a Japanese winner is 15%. This means that if you are a part of the 4.4% of Japan’s population, that are exceptional in ballet, you have a 15% chance of winning at the prix. Pretty intense.

If you are from the USA, you literally only have .5% chance of winning if you make it to the finals. Intense.

Now, say like South Africa… the odds of someone from South Africa winning at the prix is less than .001%, which means once you are the prix the odds of you winning are .003%, that is super intense.

Now it might not be fair to count the entire prix’s history, as the world’s history of ballet is tainted with racism, communism and exposure… So, if we were to look at last year’s results, for the sake of saying that 2014 is the most diverse ballet has been, and 2014 brought world wide exposure to ballet, then the wins by country would stand at 3 Japan, 1 USA, 1 SPAIN, 1 FRANCE. (which ironically still reflects the overall numbers at the prix. ) If we look at this year’s numbers it is more diverse 1 Australia, 1 Korea, 2 Japan, 1 Portugal, 1 USA. So, what does this mean?

As the prix celebrates the excellence in ballet’s youth, and the opportunity to be fast tracked on the international stage, it means that unfortunately, ballet competitions will still always be skewed. There is a lack of funding, a lack of exposure, and an unfair advantage for those who don’t have the resources and exposure to ballet. This again also is a reflection of a country’s ability or idea that ballet should be supported by the state… This is also a reflection of the training in a country… Or, where the student trains…. for example most Koreans train at Universal Ballet in Washington DC. And, a lot of Euro candidates don’t train in their home countries… so is it fair? Who knows…

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Numbers were taken from the Prix de laussane archives from conception to 2014. Demographics were taken from the world’s 2013 census. (www.prixdelaussanne.org)

Picture is from: http://www.prixdelausanne.org/gallery/2015-2/selection-day/

May the odds be ever in your favor… Prix de Lausanne

Well, it seems like human nature that we watch kids rise to glory, or fail miserably. In fact, over the past week, I have been glued to my computer watching the live streaming of the Prix de Lausanne. If you don’t know what that is, it is the yearly competition in which kids travel to Switzerland for a week and go through grueling classes, and interviews in hopes to be 1/20 finalists selected. All these students are competing for scholarships at one of the partnered/sponsor schools of the prix. Literally, if you win the prix you are kind of on the fast track to principal.

This year has been quite surprising, as the usual country contenders are the US, Japan, China, Korea, and of course if a Russian is competing they usually win… It is rare to ever see a French candidate compete. But this year has a surprising line up for the finalists… Australia has quite a few finalists… which is nice since the last Australian we really saw was Steven McCrae (principal at Royal now). There are quite a bit of US competitors this year, which is a good follow up since Precious Adams from the US won a scholarship and the contemporary prize last year (currently at English National Ballet). There is always a swiss candidate in the finals, as a prize always goes to the best swiss candidate. In the mix there is also Portugal this year… Now the prix has gone through a variety of phases, to announce winners, they used to hand out gold-bronze medals, cash prizes, different levels of competition… it goes on and on.. now the prix hands out six massive scholarships, along with the prizes for audience favorite, contemporary, and best swiss candidate. If you are 17+ you may also win an apprentice spot…

Why is the prix so important? Besides the fact that winners include Darcy Bussell, Marcelo Gomes, Maria Kotchekova, Laetitia Pujol etc… The prix is one of the major competitions that kids compete at in hopes to make a name for themselves as a part of ballet history.

Among the 67 candidates who took part to the Prix de Lausanne’s selections, the jury has selected 20 finalists:

GIRLS

102, Scudamore Bianca, Australia
105, Armstrong Sierra, USA
106, Park SeonMee, South Korea
107, Ray Amber, USA
108, Blenkinsop Rebecca, Australia
301, Kanehara Rina, Japan
302, Park Jisoo, South Korea
306, Spichtig Lou, Switzerland
320, Lee GaYeong, South Korea

BOYS

202, Coppa Bret, USA
203, Acevedo Austen, USA
204, Lee Harrison, Australia
205, Turnbull Navrin, Australia
210, Curley Jarod, USA
401, Pinheiro Miguel, Portugal
402, MacKay Julian, USA
406, Thomas Jack, USA
409, Ito Mitsuru, Japan
416, Hayami Shogo, Japan
419, Garcia Syvert Lorenz, Norway
Prix de Lausanne Website
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