It is that time of the year again…. Nutcracker. Support your local ballet school or company by attending this wonderful holiday tradition. We are days away to close our Nutcracker Kickstarter campaign, and unforutnately, it doesn’t look like it will come to fruition. But, I will relaunch the campaign in the New Year, focusing on next year.
(Click Here to help our kickstarter campaign)
This season I was lucky enough to coach for beautiful Sugar Plums for Phoenix Ballet’s Nutcracker. They included social media star Robbie Downey, YAGP winner Mya Kresniak, YAGP winner Madison Penney, and the elegant Kenzie Thomas. All four young women are so different and took on the role so differently. It reminded me about how wonderful an oppertunitiy to dance a principal role is. These four girls are about to make their debut in Arizona and headline a show.
Now, I am on the opposite side of the country coaching talented young women for the YAGP. These roles are so difficult but it is so amazing to see the attack and dedication these young women have. While Baltimore is cold, the experience here has been amazing.
Finally, don’t forget Issue 8 is out!
(Repost)
Between the holiday parties and preparing for Black Friday sales, the ballet world is faced with our dreaded, but magical annual tradition of The Nutcracker. Every year around this time, whether it be at Starbucks, the bank or even at some retail store, I am standing around minding my own business… and then it comes on the speakers. That dreadful tune that ushers in the Holiday Season.
While the majority of the world associates it with that one song from that one commercial, ballet dancers around the world hear it and immediately identify the composer, the act, the choreography and the costumes. Yes, it is the Nutcracker.
Recently, I was standing in line with my pas de deux partner, and the music for Snow Pas came on. While it is one of the most beautiful pieces composes for the Nutcracker, we immediately looked at each other with fear in our eyes. Yes, fear. We had just started rehearsals with new choreography knowing that the show goes up in three weeks. We both haven’t been on stage for more than four years, and we immediately decided to order skinny lattes knowing we are about to be in white tights. So, in the tradition of Nutcracker, and in a Ballet Education’s five things…
You Know It’s Nutcracker When…
1. You hear Nutcracker music outside of ballet and want to kill yourself.
2. 1/3 of your company is injured, or battling tendonitis, but still powering through ridiculously long rehearsals that you don’t want to be in.
3. You know every part of Nutcracker, but still are forced to rehearse, clean and tech it all. In fact, you have probably danced every part of Nutcracker at some point of your life and could probably stage it all, with your eyes closed.
4. This time of the year everyone is all about the holiday cheer and festivities, but you are the most tired you have ever been. You want to crawl into a ball and die. You still have to rehearse everything else outside of Nutcracker for the upcoming season’s bills, so your mind is on overload. It is just yucky.
5. You are a boy, and its Nut season and all you want to do is be Kyra Nichols as Dewdrop. Yes, you want to be Balanchine’s infamous Dewdrop and dance the most beautiful entrances, have the most swayed back ever, and dance to the loveliest of music.
Here are some of last year’s Nutcracker Posts:
THE BEAST THAT IS THE NUTCRACKER
5 AWFUL REALITIES OF NUTCRACKER
There is nothing in the world… and I mean nothing… better than a really good, really clean, really technical petit allegro. Yup, it can turn any bad day into a great day… or it can turn a great day into a crappy day depending on what side of the glass window you are standing on…. The problem is, most people are pretty awful at petit allegro, and a lot of the times at smaller studios, most teachers don’t really emphasize petit allegro causing there to be a lot of dancers to have pretty awful petit allegro skills…
