If you don’t know what Emeralds is click here and read more.

(This post has nothing really to do with ballet education.)

Emeralds. As the story goes Balanchine was inspired by the jewelers Van Cleef and Arpels. As an avid visitor to Van Cleef, I understand why he was so inspired. I am obsessed with the Balanchine ballets, probably more obsessed than I should be. But, when it comes to Jewels, I am able to reflect upon my own life and how it relates to me, and why I am the Emeralds phase of my life.

When I was a young dancer training, I hated Emeralds. I literally fell asleep the first time I went to go see it live. When I was younger, it was all about Rubies. The sexiness, the energy, and the relentless power and flexibility of the tall girl in Rubies. Like Stravinsky, when you are younger, there is this uncontrollable force that drives you: passion. As a young dancer it was about focusing on rapid turns, whacking out your battements, and being overly flexible. It was far the better choice compared to the other two. Diamonds just looked like ballet class to me, and just was pretty, and well classical.

Later, as a working dancer, I became obsessed with Diamonds. It was about the strive towards perfection. As a working dancer it starts the process of control, constraint, and restriction. It is taking everything you had learned in ballet school, and learning how to control it, finesse it, and do it with ease. Diamonds became my version of Swan Lake. It was the test of perfection within the choreography. As a young adult, that translated into my personal life. It was about being perfect, finding the perfect man, finding perfection within my life. Still, I am kind of there, but now I am transitioning to my thoughts on Emeralds…

Now, realizing that perfection is impossible, something to strive for, I have entered into a new phase of my life: Emeralds. Subtlety and romance. There is something so luxurious about Emeralds. The walking pas de trois is like strolling through the park, the variations are almost care free and relaxed. There is no rush. That is where I am at in my life right now. I know this has nothing to do with the actual story behind the ballet, but it shows how ballet can reflect life, and how audience viewers relate. Before, when I would watch ballets, I would be watching for technique, musicality, and lets be honest: dancer making mistakes. Now as I watch ballets, it is about how they relate to my life. Watching classical storybook ballets do nothing for me now. Now when I want to escape my own life and become involved in someone else’s I go to the movies and the achievements in cinema take me there.

As I have started to embark on my own ballet company and school, I have decided to let it take me wherever it takes me. I am not thinking my company and school will be anything equated to Balanchine. Far from it. But, I have taken everything I have learned in the phases of my life and implemented it into the curriculum and structure.


The Measure of a Ballet Company…

No one really knows how to measure one ballet company against another, and there really isn’t a science to it. I can tell you that if you are going to measure a ballet company by funding, well be prepared for a crazy awakening. If you are going to measure a company based on principals, then that is just biased. Measuring a ballet company based on performances, repertory and touring… Maybe that is a more legit claim, but even then how can you compare an international ballet company that is supported by the state, versus American companies that have to fundraise a lot of their budg? My list of international ballet schools has created quite the controversy, and my blog itself has turned into a whirlwind of expectations, rivalries, and debates. So, as many of you have written to me and for me to rank the top ballet companies… I am sadly going to have to inform you that I can’t, simply on the basis that every company is different and has an extremely different repertory.

Swan Lake used to be the measure of a ballet company, but with everyone re staging their own versions it is hard to compare, and Swan Lake allows insane tricks and music alterations to accommodate turns.

So how do I measure a ballet company the playing field has to be fair, so if we are ranking large ballet companies here is how I compare them: The Balanchine Trust. Yup. Balanchine wins again. Specifically, I use Jewels. If you aren’t familiar with the ballet, you will be. Jewels is popping up in company repertories all over, and here is why:

Paris Opera Ballet in Diamonds
Paris Opera Ballet in Diamonds
  • Jewels is a full-length ballet in 3 Acts demonstrating company stamina. The difference between a full-length ballet and a smaller 1 act ballet is the ability to fill an evening with one mood, one presentation, and once chance to be evaluated as whole. (Jewels runs 81 minutes without intermissions.) Unlike presenting numerous works in an evening, the mood changes from piece to piece, and the reviewer and audience will have separate opinions of each. Jewels allows for both. (Yes, Swan Lake is 4 acts, but no one really pays attention to Act 1, the only thing good in the first act is pas de trois and even that is hard to get through.)
  • There are no tricks. One of the nice things about the Balanchine Trust is that the choreography is preserved. While dancers take artistic freedom, the steps and music does not change. The music is never altered, and the choreography doesn’t allow tricks. For those who are daring to speed up the turns in Rubies, good luck. The music is already fast enough. (We all know that the black swan coda is the test of tricks, and we all know white swan pas de deux is how high can you get your leg these days.)
  • In order to dance the full-length Jewels, you will need 66 dancers. For most companies, that is basically the entire company, give or take. Not only is this going to show the grandiose size of a company, but the Balanchine ballets let the corps really dance. Like REALLY dance.  Now, there are numerous leads, pas de deuxs, demi-soloists, and so on in Jewels. Never have I seen a dancer double up in an act. (Swan Lake tests 1 dancer, Odette/Odile, Jewels tests an entire company.) In addition not only does each variation, pas and act portray something completely different, they all cohesively collect to make the full evening pristine, exciting and glamorous. (The ballet itself was inspired by the jewels at Van Cleef and Arpels.)
NYCB in Rubies
NYCB in Rubies
  • When a company presents Jewels, they don’t just present one ballet, but they present three very different styles of ballet. In one evening you will get your sylphide, giselle, romantic ballet fix in Emeralds (music by Gabriel Faure). You will get your sassy but avant garde, seductive yet charming ballet fix in Rubies (music by Igor Stravinsky). You will get your platter tutu- Swan Lake, and corps intensive La Bayadere fix in Diamonds (music by Tchaikovsky).
bolshoi ballet in emeralds
Bolshoi Ballet in Emeralds
  • You get to see the company. In Emeralds you will see a corps of 10 that rigorously dances, two pas de deuxs, and a pas de trois. In Rubies you will see a fun pas de deux, and a leggy sassy soloist and corps of 8 women and 4 men who deliver a scintillating performance woven between the leads. Finally in Diamonds you will see one of most breath taking pas de deuxs, 4 demi-soloist couples, and an additional 12 couples. If that doesn’t test a company, I don’t know what does.

With that all being said, when we used to compare swan lakes, we now are starting to compare Jewels. With Bolshoi constantly broadcasting their take on Jewels with a more modern backdrop, to Boston Ballet‘s 2014 staging with necklace-like back drops, to Paris Opera’s costume designs by the fabulous Christian Lacroix… it seems that companies are now using Jewels as the ballet to compare companies. It is hard to compare swan lakes, but easy to compare Odettes… It is easy to compare Jewels since it doesn’t change, but hard to judge the leads. Because there is no story, each lead develops their own artistic take to create the mood of the night. Jewels has become so prominent among international companies like Royal Ballet who in 2008 won two Laurence Olivier awards.