Dream Casting…

Some have fantasy football… I have fantasy ballet nights. If I were going to die, I would cash out everything I own and have one super star studded night of good ballet. And, I probably would invite all of my friends and family as well. (That has yet to be decided) Now, with all of these international super star gala events… My lineup doesn’t seem that absurd, or impossible… But, if I had the chance to curate one night of magical goodness…. It would be:

Balanchine’s Serenade

Russian Girl: Tiler Peck, NYCB

Russian Girls: Whitney Jensen, Lia Cirio, Dusty Button, Misa Kuranaga – Boston Ballet

Waltz Girl: Hee Seo, ABT

Waltz Boy: Roberto Bolle

Dark Angel: Olga Smirnova, Bolshoi

Elegie Boy: Pete Leo Walker, Charlotte Ballet

Corps provided by Paris Opera

Balanchine’s Apollo

Apollo: Alexandre Hammoudi, American Ballet Theatre

Terpsichore: Me… for the sake of dancing with my Baby Daddy… Just kidding.  Julia Rowe San Francisco Ballet

Polyhymnia: Natalia Osipova, Royal Ballet

Calliope: Dorothee Gilbert, Paris Opera

Break

Matthew Bourne’s White Swan Pas De Deux

David Hallberg, Bolshoi/ABT

Fabrice Calmels, Jofferey

Esmeralda Female Variation

Svetlana Zakharova, Bolshoi

Giselle Second Act PDD

Giselle – Lucia Lacarra, Staatsballett

Albrecht – Kevin Jackson, Australian Ballet

Liza Variation from Who Cares?

Jeffery Cirio, Boston Ballet —— but instead of random tap steps can we do cool hip hop, or contemporary steps. Thanks.

A New Contemporary Solo choreographed by Benjamin Millepied 
Tiler Peck, NYCB

Onegin PDD

Steven Morse, San Francisco Ballet

Madison Keesler, English National Ballet

BREAK

PDD from Romeo and Juliet

Beckanne Sisk, Ballet West

James Whiteside, ABT

That would be some nimble biscuit dancing…

Le Palais de Cristal 

First Movement

Tiler Peck (NYCB) & Mathieu Ganio (Paris Opera)

PNB

Second Movement

Maria Kotchekova (SFB) & Amar Ramasar (NYCB)… i know height difference buuuut i think it would be like butter.

Bolshoi Ballet

Third Movement

Michaela Deprince (Het National Ballet) & Derek Dunn (Houston Ballet)

New York City Ballet

Fourth Movement

Patricia Zhou, Staatsballett and Jim Nowakowski  (Houston Ballet)

Paris Opera

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The Craziness that is Giselle

Most ballets can be summed up in one word.

Swan Lake: Dramatic

Corsaire: Pirates

La Bayadere: Sexy

Nutcracker: Whimsical

and then there is Giselle: Tragedy.

Giselle is the ultimate tragedy. It is the ballet of a love scorn woman and the fiery that comes to haunt cheating men. The story of Giselle is summed up in two short sweet acts that showcase a ballerina in all her glory. In Act 1 Giselle comes out as a wide eyed, beautiful and naive girl. By the end of Act 1 she is going crazy, which in this scene, it will make or break the performance. Yes, we all care about the ballerina’s hops on pointe in her first act variation, and we live for her extensions in the second act, but we really just care about her mad scene. Then in second act, she is revealed as a willie, and is now just an afterthought. As second act progresses, it is more womanly, and in control. The ballerina dancing must now be spirit like, floating across the stage, mournful in the beginning, angered by Alberecht’s visit, and then sorrowful to his downfall. Yup, a whole lot going on for such a short performance. It is crazy to think of how we have compacted it, but if Giselle was any longer it would be boring.

So, here are 5 things that make a good Giselle:

  1. Don’t over do it. That painful face is painful to watch.
  2. Please have good feet, and high extensions, because if you don’t… second act isn’t really that great.
  3. When going mad, make sure your hair looks good down. Sometimes, it looks like it is still wet from hair spray, or it doesn’t come undone well. Please practice. If your hair is thin, use extensions. Hair should not be dead.
  4. Make sure your bourres are seamless in the second act entrance. There is nothing more exhausting to watch than bad bourres.
  5. Don’t look constipated in second act.

In retrospect, Giselle is really easy to mess up.

Alessandra Ferri, this ballet just might truly belong to you….