Ballet Needs to Stop Making Me Mad Late at Night…

#BLOOP …

Carlos Renteria, Redlands Dance Theatre. Photographed by Alexandra Rose, SOCIAL CULTURE
Carlos Renteria, Redlands Dance Theatre. Photographed by Alexandra Rose, SOCIAL CULTURE

Tonight I was reminded why I started my blog…. (http://aballeteducation.com/2014/07/07/firstpost)
Then… as the 2015-2016 season is being announced, once again I am like flabbergasted and irritated with ballet. Here is what is irritating me tonight, at 5 AM. Preface: I am up all night because on October 3rd I will be partnering up with SF FASHION to showcase my new fashion brand MONDEAN.  And tonight all of the sketches had to be finalized (as in fabric choices, colors etc) to be prepped for technicals, and pattern drafting. BTW, if any of you are in Southern California and are a seamstress… contact me please… I am short seamstresses…  So anyways, I am about to go to bed, and I open up my computer and go through my press releases…

First, I would like to congratulate everyone who was promoted… Especially Lauren Lovette, who is now a principal at NYCB. Anthony Huxley was promoted to principal as well, which makes me raise an eyebrow, because of the male soloists at NYCB, I thought Stanley Huxley would be the next to be promoted Principal… I dunno. SFB hired 3 amazeball students, all who finished well at previous YAGPs. Boom. Allynne Noelle, a principal at LA Ballet will be joining Suzanne Farrell for the upcoming season. ABT said farewell to Xiomara Reyes, and Paloma Herrera. We say goodbye to Julie Kent June 20. With three female principals leaving, ABT is bound to announce promotions… and new hires *grin, I’m actually happy about* I wouldn’t be surprised if they offered Maria Kochetkova a full-time contract, because she is like ideal height for Cornejo and Simkin… I don’t know how SFB would feel, but since SFB is full of promising stars… It might be a good thing? Misty Copeland will premier in Romeo and Juliet on June 20 prior to Kent’s farewell, then make her NYC Swan Lake debut June 24…. So, I am thinking her and Stella Abbrera will get promoted. (Stella had a phenom run at Giselle) Natalia Osipova withdrew from her debut as Juliet for ABT which has a star studded juliet cast: Obraztsova, Vishneva, Copeland, Seo, and Kent (retiring). I swear if Sarah Lane is promoted I am boycotting ABT even if ABT is hiring more asians.

We also said farewell to beast Sylvie and one of my favorite ballerinas of all time: Carla Korbes. If you missed the live stream… you missed out on Diamonds Pas De Deux… Serenade was good but I have seen better. Diamonds was flawless…… The only people who should be doing the PDD are: Korbes, who is now retired… If you saw the performance though she slayed the F*ck out of it.  Smirnova who won the Benois for that performance, its magical. If you haven’t seen her do it, they go on tour with it this summer, or just watch via youtube. M. Nunez was pretty interesting at Royal Ballet. I don’t know if the company should be doing Balanchine ballets, but… what eva… Just like Paris Opera should not be doing Serenade… at ALL…. Like ever.

The ballet world was faced with Angel Corrella‘s (I should not even put his name in bold) new tenure at PA Ballet… barf. His statement was awful, his wording was not ideal… and when he means diversify culturally, he means he is going to hire a bunch of latino dancers, when there are plenty of dancers in the states who need work and don’t need visa fees #justsayin . Which was already proven with his new soloist and principal. I am sure everyone in the company is irritated… I’m irritated… Like seriously, go home.

Oh, NYCB just released their new choreography initiative and I am not saying I called it, but I kind of did… Myles Thatcher from SFB will be making his premier at NYCB… Royal Ballet will be staging a new Carmen by Carlos Acosta, and now has a new choreographer program. I should apply for next year. LOL.

Mmmmm people who should have been promoted weren’t. Ballet companies are irritating me, but thats not new.  Tuesday morning was the first company class for Redlands Dance Theatre, my ballet company. The studios were hot and the mood was fun, but everyone danced really hard, very musical, and gorgeous. It was super nice.  I totally forgot to take a picture, which upsets me, but oh well. #mybad

What else? I’m exhausted, and have photo shoots in a couple hours for SOCIAL CULTURE, so I am probably not going to sleep, this will be day 4 of being awake and only sleeping for an hour here and there. I could just be super moody because I have quit smoking. Mmmm that is all ballet world… So irritated.

Advertisements

Leading Ladies of ABT… 2014-2015

American Ballet Theatre is celebrating their 75th Season, and as they are preparing to come to come take residency in NYC, their rosters are set and the casting has been published. As ballet has made a shift towards women again, American Ballet Theatre seems to be a little late on the train. ABT has always been known for their men, but as the trend has transitioned now to fundamentally interesting ballerinas… ABT is just now slowly shifting… Their principal women can be grouped into their classics, their randoms, their guest stars, and new blood, while waiting in the wings are stars in the makings. Their soloist rankings and corps is full of star women waiting to take the limelight… So Kevin needs to start changing things up, or he needs to be replaced. #justsayin

THE CLASSICS:

Paloma Herrera Bloch

Paloma Herrera, At the age of 20, she graced the world as a principal dancer with American Ballet Theatre. Her double fouettes where rare, and her tenacity was charming. Her Kitri was so young, naive and flirty. Remember how everyone used to oogle and gawk over her feet? No one cared if she had some crazy velociraptor arms. Then the reviews piled in, and the world fell in love with her. But then, she was almost forgotten. If you didn’t know, this is going to be her last season with American Ballet Theatre, literally 20 seasons later. So, what happened to her? Some say, that as you get older you transition from technician to artist. But for her, I think she just never left that mark. For a while, she had left an impression as Kitri (from the ABT’s Variety and Virtuosity video with Angel, that foot, and those fouettes), but now it has been replaced with Natalia Osipova’s take.

Julie Kent in Apollo ABT

Julie Kent, The legend of Julie Kent goes something along the lines like this: You change your name to sound better. You win the Prix de Lausanne, and other competitions, you rise to fame, star in a series of bad acting movies, and marry ABT’s Associate Director. 29 years later, you still have it. If any of the women at American Ballet Theatre can claim artistry, you are the one. Of her roles I have seen live, by far Terpsichore has been your most charming. There is something to appreciate about Julie Kent, and I feel no one gives her enough credit. She isn’t like others who has a bazillion turns, or extension behind her ear. Her feet aren’t crazy amazing, and she isn’t hyper mobile. Instead she is stunning, artistic and musical. There is something very charming about everything she does, and with a solid technical base, she is the representation of what I think most dancers are. Yes, she has won numerous competitions, but not because she had crazy fouettes, but because she was clean, precise and clever with her musicality.

THE RANDOMS:

Gillian Murphy, Veronika Part, and Xiomara Reyes… So, I didn’t know how else to label these three because they are all quite random in their stories, and their styles. Gillian Murphy caught our eye in her diagonal of triple pirouettes in Corsaire. She came to fame for her campaigns for Gaynor Minden, giving hope to all of the girls with bad feet. She became something to talk about in the TV broadcast of Swan Lake with her triple fouettes. When it premiered I was literally at the dorms of San Francisco Ballet’s Summer Program watching it. Her coda was crazy, and that was about it… Her furrowed eyebrows in white swan didn’t do it. In fact, most everything I have seen her do didn’t do it. That is a lie, I liked her A LOT in Fall River Legend… Questionable as well, her husband is former principal dancer Ethan Stiefel… #justsayin

Then we have Veronika Part, during her Aurora… I fell asleep. Good feet and wears gaynors. Russian trained and gorgeous in the face, accent to die for, and appeared on TV with Letterman, her body is actually extremely beautiful on stage. Truthfully, I have only seen her dance in Swan Lake and the Sleeping Beauty and both times, I was not very entertained. But she is pretty to look at.

Then we have Xiomara Reyes, who I have no clue why she is a principal.  Like, I know this entire post seems like I am the Perez Hilton of ballet, but I have no clue why she became a principal…. Everyone else I understand why they were promoted… but then there is her… and I am dumbfounded. I can not even begin to understand Kevin’s choices sometimes…. Unless, she has a huge sponsor.

THE GUEST ARTISTS:

Polina Semionova and Diana Vishneva… Goddesses in their own rights, I feel like these two women can do no wrong in ballet. Even if both women aren’t full time principals with ABT, they are both stunning. Since ABT has been having a revolving roster of principal women, it is great to see that these two are making more frequent appearances… Even if there are plenty of women who would be great principals within the company…

THE NEW BLOOD: 

Thank the Lord for the newest principals of American Ballet Theatre: Isabella Boylston and Hee Seo. The two couldn’t be more different, but both equally poised to be principals. Isabella Boylston is dark, mysterious and sensual. Hee Seo is romantic, charming and airy. While I think Hee Seo is being groomed to replace Julie Kent, Boylston has set her own path at ABT. Both women I think are on the road to become great and lasting ballerinas.

Now the reality… ABT has two types of women… The women who get stuck, and the women who are on the fast track. Kevin McKenzie has obviously shown a track record of promoting women fast through the ranks, and promoting people and then the women get stuck. Misty Copeland and Stella Abrera have been stuck as soloists for a while, where their newly arrived counter parts Christine Schevchenko and Devon Teuscher are fast tracking it…I think Christine and Devon are being groomed to replace Gillian and Paloma. Oh and Sarah Lane, but I don’t really think of her as anything one way or the other. To be honest, I think she was only promoted because of her height and potential, but after the black swan fiasco, I haven’t really heard or seen anything great about her. While Misty Copeland is being pushed publicly to become a principal, new young blood in the corps has already been made a priority for the company. April Giangeruso, Gemma Bond, Luciana Paris, are being used quite a bit in leading roles. And very new to the company Catherine Hurlin and Hannah Marshall are both potential soloists in the makings… In the corps though, there are plenty of women who deserve promotions but I don’t think will ever get their chance Zhong-Jin Fang, a prix winner, Melanie Hamrick, Leann Underwood are three extremely beautiful dancers who should dance more. I honestly thought Underwood was on the fast track when she joined the company, but nothing has come to fruition… It is sad that ABT has tons of potential women to use but has yet to utilize them. (At least NYCB uses tons of their new talents, and has the repertory to showcase their corps.) So, as the season unfolds here’s to hoping for promoting Misty Copeland…