NOMINEES OF BENOIS DE LA DANSE 2017

NOMINEES OF BENOIS DE LA DANSE-2017 // If you aren’t familiar with the Benois de la Danse, they awards for dancers and choreographer who have made a significant cultural contribution over the past season. The money from the gala and fundraisers goes to ballet veterans to help support them financially. The winners are selected by a jury. The 2017 nominees are:

 

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Photo Courtesy of Bolshoi Theater

CHOREOGRAPHERS 
SIDI LARBI CHERKAOUI – Exhibition, Modest Mussorgsky/ Maurice Ravel, Royal Ballet of Flanders.
EDWARD CLUG –Handman, Milko Lazar, NederlandsDans Theater.
HYO-HYUNG KANG – Into the Pulse, Puri, Korean National Ballet.
AKRAM KHAN – Giselle, Vincenzo Lamagna after Adolphe Adam, English National Ballet.
CRYSTAL PITE – The Seasons’ Canon, Antonio Vivaldi, Max Richter, Paris Opera Ballet
ALEXEY RATMANSKY – Serenade after Plato’s Symposium, Leonard Bernstein, American Ballet Theatre.
DEMIS VOLPI – Salomé, different composers, Stuttgart State Ballet.

BALLERINAS 
STELLA ABRERA – Princesse Aurora, The Sleeping Beauty, P.Tchaikovsky/M.Petipa, A.Ratmansky’s version, American Ballet Theater.
NINA KAPTSOVA — Short Time Together, M.Richter, L.Bethoven/P.Lightfoot, S.Leon, Bolshoi Theatre of Russia.
MISA KURANAGA – Tatiana, Onegin, P.Tchaikovsky/J.Cranko; Medora, Le Corsaire, A.Adam/M.Petipa, I.Liška’s version, Boston Ballet.
LUDMILA PAGLIERO – Other Dances, F.Chopen/J.Robbins, Paris Opera Ballet.
SEUL-KI PARK – Aegina, Spartacus, A.Khachaturian/Y.Grigorovich, Korean National Ballet.
MARIA RICCETTO – Tatiana, Onegin, P.Tchaikovsky/J.Cranko, National Ballet of Uruguay.

DANCERS 
GUSTAVO CARVALHO – Don Jose, Carmen, G.Bizet/M.Haydée, National Ballet of Uruguay.
DAVIDE DATO – Abderakhman, Raymonde, A.Glazunov/M.Petipa, R. Noureyev’s version, Vienna State Ballet.
JAE-WOO LEE – Karabosse, The Sleeping Beauty, P.Tchaikovsky/M.Petipa, M.Haydée’s version, Korean National Ballet.
BROOKLYN MACK – Leading part, Theme and Variations,P.Tchaikovsky/G.BalanchineTheWashington Ballet.
HUGO MARCHAND – Title role, Romeo and Juliet, S.Prokofiev/R.Noureyev, Paris Opera Ballet.
DENIS RODKIN – Solor, La Bayadère, L.Minkus/M. Petipa, Y.Grigorovich’s version, Bolshoi Theatre of Russia.
JEFFREY CIRIO – Colas, La Fille Mal Gardée, F.Herold/F.Ashton; Title role, Prodigal Son, S.Prokofiev/G.Balanchine, American Ballet Theatre.

 

The members of the Jubilee Jury, under the presidency of Yuri Grigorovich, are all Benois laureates:

Julio Bocca — Artistic Director of the National Ballet of Uruguy;
Jorma Elo — Choreographer;
Sue Jin Kang — Artistic Director of the Korean National Ballet;
Julie Kent — Artistic Director of the Washington Ballet;
Manuel Legris — Artistic Director of the Vienna State Ballet;
Brigitte Lefevre — Ex-Director of the Paris Opera Ballet, Director of Danse Biennale in Cannes;
Svetlana Zakharova — Prima ballerina of the Bolshoi Theater of Russia.

PURCHASE TICKETS!

Center BENOIS: 8-916-106-04-14 (only cash; no online option).
Bolshoi box-office: 8-915-453-31-50 (no online option)
Box-offices around Moscow:
www.ticketland.ru +7-495-937-77-37
www.parter.ru +7-495-258-00-00
Russian Youth Theater +7-495-692-00-69 (no online option)

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Life on Instagram…

Life on Instagram has been entertaining… from principal dancers re-graming my doodles to requests from dancers all over the world! The blog has been keeping me busy and will be entertaining you soon. I have great interviews with dancers from: Vienna State Opera, Royal Ballet, Ballet West, English National Ballet and Miami City Ballet. So stay tuned for more of the #corpsdeballetconfessional

I hope everyone got to see the live stream of National Ballet of Canada’s La Sylphide… I fell asleep but the reviews were really positive. See more of National Ballet of Canada by clicking here.
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In other news, I keep dreaming of going to go blog the YAGP but haven’t heard from anyone over there, and financing seems to be difficult- but I am still being optimistic. I am also wondering if I should change careers and if I should try to make this blog my full-time job. So, what is next for me? Who knows… With my birthday just around the corner, I keep questioning my career… Part of me wants to leave fashion and PR and move into Ballet PR, social media, and blogging/ dance magazine/resource… So, I don’t know… Life throws so many curveballs.

What is next? What is next? so confused…

Rubia Wear

stay warm feel beatufiul by ashley ellis

shop now. (click the image above)

Hello All!  My name is Ashley Ellis and I am thrilled to welcome you to my new site for RubiaWear.  The Rubia line came about after making my own legwarmers to wear at work; in rehearsal, class, and in the theatre.  Right away my colleagues began to show interest.  Now I have taken the step to create for all of you, with the same intention as when I was making them for myself- to stay warm while adding splashes of fun to my daily workout ensemble.

As a dancer or active person you and I both know how important it is to keep your body warm to avoid injury.  Here you will find fun and unique warm ups that will do just that AND compliment the dance wear already in your wardrobe.

My objective is to offer a wide variety of colors, fabrics, and prints to choose from.  As each runs out I will continuously introduce new ones. This will keep each item very unique in addition to maintaining an exciting shopping and wearing experience.

Select an item that fits your own personal style.   Choose as many as you like to enhance your wardrobe and give each outfit that special RubiaWear touch.  And, don’t forget to check in regularly!

Happy ordering!

*Ashley Ellis is a principal with Boston Ballet, more about Ashley at:   www.ellisashley.com

(borrowed from the “about me” on Rubia’s Site)

The Boston Ballerinas

Boston Ballet sometimes gets overlooked when it comes to referencing iconic Bostonian things… What this historic New England town boasts in historic landmarks, American history, the ICA, Harvard Yard, their baseball team, and the home of the current season of Top Chef. What people forget about is their ballet company. While, New Yorkers and Bostonians have a long time rivalry, and with Boston Ballet recently making their appearance at Lincoln Center… Boston Ballet proves once again to be a standing rival against the New York Ballerinas. Not to mention ABT’s studly James Whiteside was a former principal with Boston Ballet. Now what people tend to forget is that currently, Boston Ballet boasts a roster of principals to die for. Of these principals, 9 of them I have seen dance live, and they are all mind blowing. While their men are fantastic, dynamic and to say the least were all prodigies… Their women might just be the most dynamic primas in the US.

Don’t get me wrong, there are stunning women in every company. And if this was the oscars and we were nominating for the best prima in the US, many women would dazzle us in the category. But, after a lot of thought and many hours on youtube, the women of Boston Ballet have won me over. Specifically, Kathleen Breen Combes, Lia Cirio, Ashley Ellis, Whitney Jensen and Misa Kuranaga and here is why.

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Ironically dancing the tall girl role in Rubies, she is only 5’4″ #legsfordays

Kathleen Breen Combes, she is has to be the epitome of a ballerina. Everything about her says BALLET. With legs for days, and pale skin, glowing eyes, makes her mesmorizing. She was already hailed as one of the great American Ballerinas, and I couldn’t give her enough praise. From soft romantic roles, to full length classics, to her technical rigor in Balanchine ballets. She possesses something charming that I think would inspire most young girls. As her ballet career has been followed closely from her 2003 win of The Lefkowitz Award for Special Achievement, which she won after being eliminated from the competition, to her time at Washington Ballet, to her contract with Boston Ballet and skyrocketing through the ranks, to her injury, she is everything. Standing at 5’4″ but looking 5’10” on stage, she is everything you think of a classical ballet dancer. 

Lia Cirio in Jose Martinez’s Resonance.
Lia Cirio in Jose Martinez’s Resonance.

Then there is Lia Cirio, who I think is the epitome of what a modern day ballerina is. With her fierce intensity, and ferocious attack, she gives me life. Her attention to detail, her performance quality and her well… those hyper extended legs make everything. With an arabesque for days, and her athletic physique it makes for a combination of modernity and classic ballet. While her acting skills are praised highly, her technical ability is flawless which makes for the perfect combination on stage. Her jump is for days, but matched with passion. Another ballerina with a high profiled career, Lia Cirio is definitely one who will not be forgotten. As she continually grows as an artist, pushing herself, it makes me excited for BB’s Swan Lake Reviews.

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Ken Browar & Deborah Ory for NYC Dance Project.

Ashley Ellis. Mmmm, my first memory of her was in Southern California, and I was training at South Bay Ballet. She had come to take class while still at American Ballet Theatre. Having watched videos of her, her reputation preceded her having won the Spotlight Awards. (Side note, Lia Cirio’s reputation was echoed everywhere at CPYB, but never saw her there but once, and not in class.) So, in class her beautiful legs extended into the air and I died a little. So, after stalking her while at American Ballet Theatre, I often wondered why she was never promoted… Then, she moved to Angel Corella’s company and was a soloist, but I feel like that wasn’t a fit for her. Then she came back to the states and flourished at Boston Ballet. I think everything about her dancing changed, and this new and different maturity came out in her dancing, and I fell in love all over again. She has this simple sincerity to her dancing that is ever so enchanting.

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Whitney Jensen… So young, so talented… We know her from well, everywhere. From her win of the hope award at the YAGP at 11, to her win at Varna… she was definitely one to watch and well… it paid off. From a very young age she showed control and constraint, as some young dancers get into the moment and whack everything… But she has always been in control. Known for her technical ability to turn… and turn, she is beyond exotic in the face but has come into her own. As she has grown at Boston Ballet her unique charisma has grown to be intoxicating, always leaving you wanting more.

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So, a while ago… a friend of mine was going to Harvard and said he had just saw the sleeping beauty and one of the faeries stole the spotlight. I assumed it was going to be Lilac, but when he said canary… I asked how could a 30 second variation steal prologue? He said her name is Something Kamamasdfadf something. Now, everyone knows her name. Finding the perfect partner in Jeffrey Cirio, Misa Kuranaga has grown to flourish in everything. From her graduation performance at School of American Ballet, to growing with Boston Ballet, she has become everything. With her luscious turn out, gracious technical ability, ridiculously precise musicality, and her understanding of character roles, she becomes a different dancer in every role all while giving us arabesque.

So, that sums up these dynamic women who I can’t give enough praise to. Merde as they take on Swan Lake!!