Another New Ballet Company comes to Florida

Joseph Gatti, Marcelo Gomes, Rasta Thomas, Elias Baseman, Matthew Golding and a few others  are teaming up and taking on Orlando. Artistic Director and Founder of United Ballet Theatre, Joseph Gatti has brought in a slew of men and a blonde bombshell, Chloe Sherman for a new work by Marcelo Gomes. This “equation” looks familiar, right? Yes, and it could be because Executive Director James L. Boyd III, is at the head? He is also the former producer for Rasta ThomasRock the Ballet. Rasta Thomas will serve as a guest artist.

united ballet theatre

Excited to see the work they will be premiering. Marcelo Gomes recently left ABT after a sexual misconduct allegation. He then had his documentary premiered, and set a new work with less exciting reviews for Julie Kent‘s Washington Ballet. This would be his first full year venturing out as a choreographer and transitioning out of the “dancer” title.

So what will this mean for dancing state of Florida? Adding another company to Florida’s long list of companies including Joseph Gatti’s former employer, Robert Hill’s  Orlando Ballet. (Orlando Ballet is currently searching for a new Executive Director, the third one in like five years…) As their website is still new, you can see the list of artists joining up with Mr. Gatti.

Regardless, any company that is creating jobs should be applauded. 

Best of Luck United Ballet Theatre!! We are watching!

 

Advertisements

A Ballet Talk: Summer Intensives

Hey ABE Readers,

I have been getting a huge influx of emails regarding summer intensives and asking for advice about auditions, where to go, and concerns that are growing in the Ballet Community/Industry. If we talk about summer intensives from when I grew up, or anyone who went to a summer program ten years ago, the game is SOOOO different now. And be careful, a lot of summer intensives are only built for money.

It isn’t a secret that the ballet industry itself is hurting, big time. This is why more and more schools are opening lower age divisions, offering multiple locations, and trying to reach as many students as possible… it just simply means money.

It makes me wonder if we are losing the prestige of ballet because we are trying to accommodate everyone. The problem? We are accepting thousands of girls into summer courses with very few jobs out there. It has always been this way, but it seems that jobs are becoming fewer and fewer, but summer courses and programs becoming larger and larger.

IF your purpose of attending a summer program is to just enjoy the experience and have the ability to learn from different teachers, than by all means… Go for it. But, if your purpose of a summer course is to further your training, be seen by schools, get a scholarship and be asked to go year round… different story.

What age is it appropriate to go away for the summer?
When should you go away?
Where should you go away to?
What are you going to be getting at a summer course?
What should each age group be focused on in terms of training?
What are some of the goals long term for a summer student?
Why are we all in a rush?
Diversity? Cross Training? Moving the art for forward?
Picking the right program? Finances, distance, training, hours, cost?
Things to Remember at a Summer Course?

These are all questions, that are up for discussion…. so, Rasta Thomas and I decided to have a little (kind of long, but funny) talk.

Big DRUM ROLL PLEASE…

WELCOME A BALLET TALK!! Watch the Video Below, subscribe to the new channel and get ready for A Ballet Talk!