school of american ballet – A Ballet Education

November 30, 2017November 30, 2017

Time to Audition… Summer Intensives 2018… What to do?

Summer Intensives seem far off into next year, but as we all know, the auditions are just around the corner. In fact, most registrations open tomorrow, December 1, 2018. Don’t freak out, if you haven’t given a thought to summer intensives because you are focused on surviving Nutcracker, and prepping for YAGP, you aren’t alone. It seems that the ballet season for students is becoming more intense and more demanding every year. If you are a parent who is overwhelmed, check out some of the Summer Intensive/Program posts.

Every year A Ballet Education receives hundreds of emails asking questions like, “What Summer Intensive should my student go to? Where is the best Summer Intensive? How can I afford a summer course?” And the list goes on… So this year, as we start our summer program series, we should talk about what is happening in ballet.

The demand for ballet training is high and the demand for ballet celebrity is even higher. We have created the social media ballerina, brand ambassadors, baby ballerinas and the quest for perfection has intensified. Exposure has become everything, but it always has been. Summer Intensives or Summer Programs used to be 5 weeks of intense training and a chance to be seen by ballet companies and prestigious schools in hopes to be asked to stay for the year. Now, companies and schools are recruiting off of Instagram and other Social Media Networks. Young dancers are becoming brand ambassadors at the age of nine, and most are becoming entrepreneurs by sixteen. More and more people are starting to think that Summer Intensives are a waste of money, and really just a chance for ballet schools/companies to make money. Especially, since most are using the YAGP and Social Media as a chance to audition for multiple schools in a weekend instead of driving around every weekend for an hour and a half audition… Unfortunately, this is half true. With the demand for ballet technique at an all time high, and the demand for ballet technique, turnout and body type also at an all time intensity… it makes us wonder if going to a summer program is even worth it. And the answer is simple… Go where you are wanted!

There seems to be three types of summer programs now:

The Company Route: these summer programs are designed the more traditional way. They are used to recruit students into their year-round school/trainee programs and eventually feed into the company. These programs are usually attached to major companies and the dancers that are going to these programs are already strong and technically efficient.
The Training Route: these summer programs are designed to get through grueling days of intense training. Programs like these enforce heavy technique, repertoire, pas de deux, and more.
The Fun/Recreational Route: these programs are designed for the serious ballet dancer, but not looking to go professional.

To answer a lot of questions… I don’t know what program is right for your child because I haven’t seen your child dance. I don’t know their learning habits or their strengths and weaknesses. But here is what I do know about going into the 2018 Summer/Competition Season. As a reminder, this summer the USA IBC takes places in Jackson from June 10-23 which could put a damper on your Summer Intensive plans. Most SI’s require you attend the full session and most start that last week. Additionally, it also means a lot of competitive ballet schools will be missing teachers that week because of the competition.

But, this year here are some of the best Summer Intensive Recommendations based on recommendations from colleague, how my own students have progressed, and who is getting asked to stay for the year and feed into companies. Additionally, received information from Companies on acceptance rates to the year-round school and scholarships:
(Here is last year’s list)

San Francisco Ballet School’s Summer Intensive (San Francisco, CA) program is broken up into two amazing sessions. The first being for the intermediate dancer (3 Weeks), and the second for the Advanced/Pre-Pro division (4 Weeks). San Francisco Ballet School’s Summer Intensive always produces strong results. SFB’s SI offers everything from strict Vaganova training to Balanchine Repertoire to Contemporary…
You must audition for these two programs and registration opens December 1, 2018…. Which is why I am publishing this today… Pre-register to save money.
Don’t miss out and check the audition schedule here
Why you should go to this Summer Intensive? Because it feeds San Francisco Ballet…Here’s a quote from San Francisco Ballet School Director Patrick Armand. “San Francisco Ballet School offers a full summer intensive program with a complete curriculum and distinguished faculty. We attract the highest caliber of talented male and female students from around the globe; more than 60% of the Company members in San Francisco Ballet trained in the School.”
Paris Opera Ballet School is a newer program, but arguably POBS offers some of the best training in the world, if not the best classical ballet training. If you aren’t familiar with what makes French Ballet so popular, it is the dancer’s body’s ability to digest turnout and technique while remaining effortless. (website)
Houston Ballet School‘s Summer Intensive (Houston, TX) is growing fast and strong. It has always been one of the most reputable SI’s out there, but with HBA’s social media campaigns, it is truly showcasing exceptional American classical training. This six week course offers students a chance to train at HBA and hopefully get a spot in the year-round school. Click here for the HBA audition schedule.
Master Ballet Academy (Scottsdale, AZ) is offering their Summer Intensive again. Their five week intensive offers intense technical training with the Wozniak’s and their large guest faculty. Auditions are submitted online and open January 1, 2018. Master Ballet Academy is known for their huge social media influence, updated Vaganova technique, and pristine precision in execution. (website)
Ellison’s Summer Intensive (NYC) dates have been announced along with their tuition rates. Also known for their intense technical training, Ellison breaks their summer program up into Classical Variations Intensive, Classical Pas De Deux Intensive and Summer Intensive. Their national audition dates have been announced. (website)
Even though they haven’t announced their audition dates, another coveted school to attend over the summer is National Ballet of Canada‘s. More info by clicking here.
Bolshoi Ballet Academy SI NY 2018 has been announced as well. Another chance at hardcore Russian Training and spending time in NYC, this Summer Intensive is becoming more and more popular and exclusive as the demand for Modified/Updated Russian Training is at an all time high. (website)
The School of American Ballet has announced their dates in NYC for July 1-August 4, 2018. But, School of American Ballet has also announced their new Junior Program for young dancers June 25-30 (ages 10-12). They also will be continuing their California Workshop but have changed the age to match the Junior Program, (10-12). These programs are designed to recruit to the School of American Ballet, which I only recommend if your student wants to be a Balanchine Dancer and dance for NYCB. (website) Pre-register to save money.
Pacific Northwest Ballet (Seattle, WA) has announced their dates and audition tour. PNB has their audition fee at $45, which is kind of insane… But, it is a great Balanchine program. (website)
And then take your pick between Boston Ballet and The Rock School. It was a tie.

Still need more advice? Email me.

September 30, 2017

Top 5 Ballet Boys/Mens Programs (US)

As featured in Issue 6: It is funny that people still think there is a lack of male dancers in the US industry right now. In my opinion, there is a huge surplus of them, but they are flocking to five schools for sure. Sure, back in the day there were a few boys here and there, but now there are budding programs all over the US for these young men. They even have their own summer intensive. Now in Europe, that is a different story because male dancers are coming out left and right. Instagram proves that time and time again.

So… where are all the boys heading to and why?

San Francisco Ballet School, Patrick Armand (San Francisco) / THE SFB school has always attracted some of the best boys in the world to come train. Not only are the creating insane technicians, but they also are able to help the young men find their inner artistry. The young men that graduate SFB are usually all very noble looking (that bravura dancer), clean, and strong. (Click here to learn more)
Boston Ballet School Men’s Division, Peter Stark (Boston) / While the School at Boston has flourished over the years, and with their new studio opening this year, Boston Ballet School has attracted numerous boys into their summer course, where they are recruited for the year. Their boys are usually on the leaner side and known for their pretty lines, good feet, and ease. (Click here to learn more)
School of American Ballet, Kay Mazzo (NYC) The School of American Ballet turns out one type of boy, and that is the long-limbed Balanchine boy. This program is not for everyone, in fact, unless it is your dream to dance at NYCB, this is not the school for you. Again, it really only creates one type of boy, and that is a Balanchine boy. So, unless you are going to a strictly Balanchine/Contemporary Company… this isn’t the school for you. (Click here to learn more)
Houston Ballet Academy, Claudio Muñoz, James Gotesky, boys Program (Houston) HBA has always been a school that a lot of young men head out to. But recently, with the help of social media, HBA has been showcasing their insane technicians and ferocious turners. The HBA creates some of the strongest men out there. (Click Here to Learn More)
The Rock School, Bo and Stephanie Spassoff (Philadelphia) The Rock School is not shy when it comes to showcasing their boys and young men. A school that has been long affiliated with the YAGP, the Rock School turns out some of the best turners and jumpers out there. (Click here to learn more)

So, what does this even mean? It means that the caliber of male dancers right now is incredible. You have to jump and turn, have perfect turnout, be a great actor, and partner. The list goes on and on. But, the silver lining here, is that the quality of male dancers out there right now is beyond exceptional. Don’t get it wrong either, there are tons of schools out there offering great male programs. These programs are A Ballet Education’s top picks here in the US. If you aren’t at one of these schools, don’t freak out you can still have a career from another school. If you want a chance to go to one of these schools, don’t forget to audition for their summer courses/intensives and then ask/apply to stay for the year.

Keep up the good training!
___________________

These schools are my picks based on several factors included ratio of students to teachers, ratio of male to female students, scholarships awarded, size of the school, graduate placement, perceived value, cost of education, and company contracts. And before everyone gets crazy, I made it clear that 1. It was only US and 2. It is my opinion.

SHOP MENSWEAR FOR BALLET: CLICK TO SHOP!

COME TRAIN WITH ME!

November 26, 2015November 26, 2015

You know you trained Balanchine Part 3…

In today’s world of ballet, you have to be living under a rock not to know who Balanchine is. The opposite of that would be living in 1930 and thinking ballet has not changed. These days, the technique has been refined with the help of physics and anatomy. We have mastered our bodies through kinesiology. But musically, we owe Balanchine our understanding of music, and how a dancer approaches music. While classical ballet focuses on the movement first, or the role- the Balanchine aesthetic makes the music first. Everyone has their cup of tea; mine just happens to be vintage Mr. B, with a splash of milk and agave. Every time I take class somewhere else, or somewhere new the first thing that is usually said is, “Oh, your Balanchine trained.” I don’t know if it is supposed to be condescending, but I take it as a compliment. Then I realized every time I take a class that isn’t Balanchine based, my quads die, and I have never danced so slow in my life…

Serenade_Mear

So, while this Thanksgiving Morning I started off with a nice ballet class, I had time to reflect and think, “Thank God for the Balanchine Aesthetic.” In my thankfulness for Balanchine and the Balanchine Trust here are FIVE more You Know You Trained Balanchine if you are taking a technique class other than a Balanchine class and…

1. You are in a class other than a Balanchine class, and you are thinking, “Dear God, could you move any slower.”
2. You are surrounded by non-Balanchine dancers that don’t travel, so you are stuck falling over yourself because the girl in the sloppy bun won’t travel.
3. You are the only male in white ballet shoes.
4. When the teacher gives the frappé or petit allegro combo, and you are like… yes. Then you year the tempo and you are like… no.
5. When you are traveling and killing it in those long fourth positions for pirouettes, and the person you are going with across the floor gives you side eye.

And one more because it is Thanksgiving: You know you trained Balanchine when you are in a non Balanchine class and you think, “These combinations don’t even make sense with the music, and who makes up a combo like that? -____- Only a Russian teacher would give arms like that.”

June 11, 2015November 30, 2015

Winner, Winner Chicken Dinner: the TOP TEN BALLET SCHOOLS of 2015

Winner, winner chicken dinner. The list is in. The TOP TEN Ballet Schools of 2015.

There is always a great debate when it comes to rankings. Rankings for anything really are always surrounded by controversy, but we love them. While the list last year reflected the number of graduates from a school in principal jobs in 30 major international companies, this year’s list reflects the power, innovation, and the teacher’s that make these schools. This year we have seen the power of the ballet student. At the ballet competition circuit this year we saw super powerhouse and future stars premier to the world, and we were blown away.

BIG NAMES & BIG SCHOOLS

Harrison Lee took top prize at the Prix , he is from Australia. Gisele Bethea made another strong international competition circuit this year. She is a student in Arizona. And while these individuals took home top prizes, home schools like School of American Ballet, San Francisco Ballet, the Vaganova School, and POB made surprising debuts for their students.

One of the plus sides of big ballet competitions, are big ballet schools. Scholarships to the most prestigious schools that have made their place in ballet history. Unfortunately though, these dancers don’t make a school. Very rarely does a student start and finish their training at one school, in the US. Sure, in Europe it is more common because there are state schools that feed into the state supported ballet companies, and opera houses. So super stars don’t make schools, and shouldn’t be a factor when deciding the best of the best. Now, when looking at a school, you have to ask yourself, if you are in the US, is it a technical school or a finishing school. For example, School of American Ballet is a finishing school… Yes, it is technical, but the majority of their upper level students are from other schools. Most small studios in the US should be focusing on technique, like learning the basics of turn out, feet, and learning how the body works… This is like CPYB. CPYB you learn all the basics, but you leave to a bigger school, or professional school to finish out your training, and coaching. So this was also taken into consideration, which eliminated off a lot of the US schools from last year.

HERE WE GO… the moment you have all been waiting for…

If this was college football, well it isn’t. Haha. This is bigger than college football, this is ballet. Like football there are TEN SCHOOLS that everyone wants to get into. The only thing bigger than the school you get into, is the company you might dance for as an end result. In comparison, these are the Ivies of the ballet world, and you do have to have top marks to get in. Who are we kidding, you have to have everything to get in…

Like the Ivy League list… there are three schools that will always compete for number one in the world. International, and probably the most historical, they are the prestigious Paris Opera Ballet School, the Vaganova School, and the Royal Ballet School. It is hard to say which one of these schools is actually the best, because they are completely different styles, and create very different dancers. Last year these schools took the top. This year, we have lumped the three into one category, as the SUPER STAR STATE SUPPORTED SCHOOLS. It really is only fair that the three of them share number one and make room for other schools offering great training, and are more realistic to get into.

Paris Opera Ballet School, Vaganova School, the Royal Ballet School (Upper School). Historically, the three of them have always ruled ballet, and unfortunately I don’t see that changing anytime soon. But, not everyone is meant to dance there. Not everyone is a super turned out French girl, or a leggy skinny Russian girl, and very few boys are going to become the power houses that the Royal Ballet School produces. (Remember, huge headliner names at the Royal Opera are mostly imports from winning huge competitions.) You can’t argue that each of these schools have a very specific style, and produce a very specific look… Regardless if I like the company or school or not…
Honorable Mention 1.5: Every other hardcore Russian school.The Mikhailovsky Ballet’s Anastasia Soboleva & Victor Lebedev Asaf Messerer’s “Class Concert.” Photo: Stas Levshin
THE SCHOOL OF AMERICAN BALLET, founded by George Balanchine, SAB is probably the only school in the US that can even resemble a portion of what a state school has to offer. Sure, the Balanchine aesthetic is super specific, and the dancers are very… well American, but that is what is celebrated. The school produces great artists and the faculty nurtures dancers to become artists at a young age. Something the dance world loves. School of American Ballet is the feeder school to NYCB, which is oddly unique in the US.

Her voice is a bit much, she is the corps now… So holla for a dolla…. and how did she not know who the faculty of SAB were… did she just wake up one day and was like I am going to audition for this random school in NYC? You can also watch the first season of strictly ballet about SAB life.
THE JOHN CRANKO SCHOOL, is one of the leading ballet schools, associated with one of the most innovated companies in the world. The Cranko school is known for international power house students. A lot of students after a big win, will decide to attend the Cranko School to hone their technique but most importantly developing the artistry needed to work as a dancer. Then they either join the company or move on. Oh the Cranko school is associated with Stuttgart.
LA ESCUELA NATIONAL DE DANZA, in Havana, Cuba. Controversy. While we left this school off the list last year, a huge heat came onto us. So, let us take a look at the school at National Ballet of Cuba… Just because it is an important moment in dance diaspora, doesn’t mean that it is a good school… Ironically, if we are talking about dance diaspora, we should really look at Russian Immigration changing the world’s perception of ballet through the various wars, and conflicts. But, that is neither here nor there, we are here to talk about schools. While major dance companies have Cubans in their companies, the Cuban school is basically intense Russian training, with a focus on turns… and men. If you look at these high ranked, high profiled ballet Cuban super stars… they are all men. After seeing National Ballet of Cuba in Los Angeles, I wasn’t impressed by their women… Creating strong technical powerhouses, the school produces more men than women. (Many of you wrote in saying I left them off the list last year because of socialism, pff. And those who said it is the most important diaspora in dance, maybe not so much, but maybe over the past 50 years… )
THE AUSTRALIAN BALLET SCHOOL, our friends down under are definitely pushing their way to the international front. With some of the best PR campaigns I have ever seen, the Australian Ballet is a reflection of their school. With a new campaign called project assemblé, the Australian Ballet school will soon have a residence for their students. Despite popular belief the Australian Ballet School is not supported by the state, well it is partially supported by the state. You can audition for the school for placement, but beware, it the application alone is $83 USD.
SAN FRANCISCO BALLET SCHOOL, has truly stepped up their game. With their ranks at the company being filled with some of the most promising ballet dancers of our time, all of these students at least spent two years in the school. San Francisco has always been the West Coast’s center for ballet, but even more so as this season ended. SFB is becoming much more than just a school, but it is becoming a breeding ground for exceptional talent. Rightfully so, since San Francisco Ballet School claims the nation’s oldest professional ballet school. SFB has now rightfully produced a future superstar choreographer, Myles Thatcher who makes his NYCB premier at the Fall2015 Gala. It is more likely for a dancer to go start to finish at SFB than any other school. SFB has turned into a breeding ground for ballet superstars over the past ten years and is causing many students, and competition winners to go there.
NBS, National Ballet of Canada’s School. NBS is a healthy structured school in which students really are prepared for the real world of ballet. Additionally last year, we talked about their program that bridges the last year of school and the first few years of professional ballet life. The school itself has lost some recognition on the international circuit, as they haven’t had a huge international draw lately…. Also in Canada other schools have risen to the occasion allowing more options for Canadians to train at. Mainly speaking about GOH Academy that produced international power house Alex Wong. (They were on the list last year, but so many of you wanted to know why Royal Winnepeg, and GOH Academy were left off… Frankly put, when it comes to NBS, you just can’t compete with them.)
THE JUILLIARD SCHOOL OF DANCE, for those students who are 18, and haven’t found a company contract, there aren’t very many places to go. The Juilliard School of Dance is one of a few exceptionally ranked programs. Another is NBS, number 7 on our list.This University offers dancers a B.F.A for 24 exceptional students. Their program is rigorous but their alumni have joined numerous companies both within the US and abroad. I really, really, really want to encourage dancers after 18, to not give up. There are places to dance, or continue your dance education without feeling like the oldest one in the room. There are various universities and programs that help continue your training and transition into professional life.
THE SUNHWA ARTS HIGH SCHOOL, South Korea is becoming a powerhouse in producing international ballet super stars. So, is it the rice? No. The Sun Hwa Arts High School is the premier school for young people in Korea to attend. Most of these kids are trained to compete on the international level, and then they transfer schools. As mentioned in a previous post, Korean males are required to serve two years to the army, unless they finish first or second at an international competition. Their training is basically Russian training mixed with extreme stretching technique. Much like the Cubans, an integrated Russian technique refined for a specific body type. A lot of the Sun Hwa girls end up at Kirov DC, which is associated with Universal Ballet of Korea. Why are they on the list? Because it is important to recognize that a lot of Russian based schools have created a technique based off of a specific, ethnic body type. In this case it is a longer but narrow torso. So many girls at the prix finals were from SunHwa.
Royal Danish School of Ballet This school reminds me a lot of School of American Ballet… Obviously not the same technique, they couldn’t be more different… This school though has a very specific technique, and very specific style. They produce crazy jumpers. Ironically, the company director is from NYCB. The school is small, according to their website it has roughly 60-70 students ages 6-16 and paid for the by the state.

June 4, 2015

The Guide to Fierceness

OUR FIRST EVER DOWNLOADABLE E-BOOK: http://joom.ag/RuCp
Now available for $4.99 USD

April 21, 2015

OUR FIRST ISSUE EVER… & other news!!!

cover

We are very excited to announce that we will be launching our first interactive online issue in JUNE!

For our readers, it is completely FREE!!

What is an interactive digital magazine?

The world of publishing was drastically changed when the e-book arrived, but it didn’t do well for magazines. As the world of print publishing is dying, a new hybrid magazine has emerged! The interactive digital magazine. We are happy to be sponsored by JooMag, Mail Chimp, and Social Culture to bring you the next phase of a Ballet Education.

If you are a ballet company, business owner, or have a product, now is the time to have your brand featured with us. Cross visibility is the way of the future for marketing. Unlike print advertising and campaigns, the great thing about an interactive digital campaign are the ways to track your return, new clientele and more. You can view everything in our media kit, and see a sample advertisement as well: http://joom.ag/Q1rb

BIG ANNOUNCEMENT!

For all of the parents of male ballet students out there, we are about to launch: www.MANLYballet.com

—

Subscribe to our mailing list:
http://eepurl.com/bjJVYb

Donate: http://aballeteducation.com/donate/

Take our international survey about collegiate dance, dance education, and more:
https://www.surveymonkey.com/s/5R8SYC5

—

February 13, 2015

You know you trained Balanchine… pt Deux… You know you have danced Balanchine if…

We have all heard famous stories, infamous quotes, or my personal favorite, “Balanchine Said…” or “Balanchine told me…” For some ballet dancers, they are lucky enough to dance at the School of American Ballet, and have first hand experience with the New York City Ballet Legends… Or, now across the US, numerous schools have added Balanchine Legends to their staff… Yes, legends… There are legends still among us, which walk this earth, turned out, and elegantly. So, after the original post (here) a lot of people had feedback, and well, there is always feedback with this blog… I was originally going to make some snide remark about it all…. but then I asked myself, “What Would Balanchine Do?”

This post is dedicated to the mature Balanchine dancer… You Know You Have Danced Balanchine If…

1. After you have danced a difficult Balanchine role, and your coach, or Balanchine Repetiteur smiles and you know you are on the right track. (Inside you are thinking… Balanchine would be like, “YAAAAS!!! You Better Get It!”)

2. Stravinsky is life. You can’t wait till a Stravinsky Ballet is in the season. Who doesn’t love counting 9’s, 7’s, 13’s and other ridiculously well thought out math equations?

3. You are in open class, and the teacher touches your hand and is like, “Oooh, that’s Balanchine of you….” You know they are trying to insult you, but you are smiling thinking… “Suki Schorer taught me well… Boom.”

4. You know every part of Serenade… Even if you are a man… and we all know that everyone, male or female wants to dance one of the leading ladies… Don’t lie.

5. You learn a new Balanchine ballet, and you are like, “Balanchine is Boss.” (You might thinking the song big pimpin’ was inspired by Balanchine… Just Kidding.)

6. That moment you are asked to improv, or make something your own and you ask yourself, “What would Balanchine do?”

7. You are working on a Balanchine ballet, and you try your own thing (after a very long restless night of it haunting you) and whoever is setting the ballet is like, “No.” And then you start beating yourself up.

8. You have to get through a ridiculously hard ballet, that requires a ridiculous amount of stamina, in a ridiculous short time… And you think, “What was he thinking?” You know that he is brilliant, and that he is genius, but you stop and think, “I wonder if he did this just to mess with his dancers’ psyche, and then they pulled it off, so he kept it?” or “WHYYYY BALANCHINE…WHY?!”

9. That night before casting goes up, you have been busting your butt off in rehearsals and learning the ballet… and right before you go to bed you are like, “Dear Mr. B…”

10. That moment after the casting goes up for a Balanchine Ballet…

December 23, 2014

Intro to Summer Programs

The Guide to Summer Programs:

While Christmas is finally here, and Nutcracker is finally over… We now look at the bigger picture, and the next part of the season: SUMMER PROGRAMS!! With auditions literally starting next week, the stress is on. SO, here are some of the truths about summer programs:

Summer programs are not a vacation. While it might be fun to travel all over the US, the reality is that summer programs are designed for three purposes.
1. The first is to get the maximum amount of training in while you aren’t in school. So, if you are looking at summer programs as a chance to catch up on technique, then audition away. Dancers drastically change at summer programs for the good and the bad.
2. The second reason ballet companies host summer programs is to look at the work ethic of potential year round students. For those who are killing themselves dreaming of San Francisco Ballet, your best bet is to go there for the summer. Hopefully, you are around 14-16 with awesome technique. This way you can get asked to stay for the year, and hopefully make it into their trainee program.
3. Finally, the third reasons companies host summer programs is because it is a huge money maker. If you don’t know the costs of a summer program, check out this post. Summer programs are a way to overflow a school, and make money. It isn’t a hidden fact that ballet companies aren’t doing well, so Summer Programs are a way to generate income to the school/company during the off season (January) and then again in the Summer months.

Names don’t mean anything. While many prestigious schools boast awesome summer programs, it doesn’t mean it is the best training for you. You have to find the school that is right for you, and where you are at in your training. For example, you should not audition for SAB until you are completely sure you are as strong as you can be, technically. SAB is a finishing school, not a training school. If you are behind on your technique, CPYB is the best place to go and get your butt whooped for a month. If you are looking to broaden your horizons in ballet, LINES would be a great add to your resume. And for those of you who are looking for individual attention, go to a smaller program like Ballet West or Atlanta Ballet’s Summer Programs. If you are looking to work on turns, go to the Rock School for Education, and if you are looking to jump go to PNB.
Have back up plans. Like any child applying for colleges, you have to have a plan. Everyone has their dream programs, but then pick others that you know you are going to get into, schools you might get a scholarship to, and schools that are affordable. Have options, because a lot of kids will hit two summer programs in a summer.
How do you know you are ready for a summer program? You have to be mentally prepared because at a summer program the competition in the classroom is stiff. Everyone there is pushing for a year round spot and scholarship for the year. You will be hundreds or thousands of miles away from home, living in dorms, with a hundred other ballet dancers. While you make lifelong friendships, the reality is, they are also your competition. It is easy to become friends, but it is easier to become jealous and get inside your own head, sabotaging your chances of staying for the year. If you are at a smaller school, and you are the best one at your studio, this would be a great growing opportunity.
Finally, use summer programs to see if this is what you really want to do with your life. Summer programs are a great stepping stone to see whether or not you want to pursue ballet professionally. While it is rare for a dancer not to go to a summer program, a summer program is usually required as a bridge between professional schooling and a home studio. Another small step towards dancing Odette in Swan Lake.

You can go to any company’s website or school website to see if they are doing a national tour. The dates are already published. Audition fees will apply. If you don’t have the money, you can call the school registrar and possibly have the fee waived.

August 15, 2014

Company Profile: the Los Angeles Ballet

So, within the internal ballet dialogue in my head, as I am driving and dictating to SIRI, I was thinking that I am such a hypocrite. Here I am trying to save ballet, yet not supporting the company that is growing in my backyard. (I just purchased tickets to the full length Flames of Paris in November.) Then I started to think, how can I help Los Angeles Ballet, duh, your blog….

Los Angeles Ballet (Click Here)

Location: Los Angeles, CA to be exact 11755 Exposition Boulevard Los Angeles, California 90064

Artistic Directors: Thordal Christensen and Colleen Neary

Style: Balanchine meets Bournonville?

Affiliated School: Los Angeles Ballet

Annual Tuition for a trainee: $5,500-$5,900, boarding is unavailable.

Summer Program: Yes, not a lot of info on their site, check back in September.

Theatre Residence: None.

Current Season: 4 bills, touring the greater Los Angeles Area

Dancers Hired: 37

Kate Highstrete & Christopher Revels in George Balanchine’s “The Four Temperaments“. Photo: Reed Hutchinson

Founded in 2004, my first experience with Los Angeles Ballet was watching a girlfriend of mine perform in their 2009 season. She was dancing George Balanchine’s ‘Tchaikovsky Piano Concerto No. 2’ and Serenade. For being a young company I was impressed. I then got season tickets for the following season in which Chehon Wespi-Tschopp stole the majority of the season, then stole the show on SYTYCD. Which was sad becaus when I saw Giselle, and he was better than the title character…. Then I boycotted LA Ballet until I saw they were doing Concerto Barocco, 4 T’s, and Tchai Pas, La Valse, and Agon, their 2012-2013 season was amazing, just the exposure of Balanchine in Los Angeles in much needed. I didn’t see anything this past season until they brought back Serenade and premiered La Slyphide in one bill. So, of course I had t go. Unfortunately, the men stole the show, especially in La Slyphide, with the exception of Colleen Neary who was quite brilliant. If ballet is supposed to be woman, (which LA Ballet excels in the Balanchine Ballets), they fail at the classics, which is why I avoiding their new season. They are doing Swan Lake, Nutcracker, Sleeping Beauty and Director’s Choice… A Tchaikovsky Season for sure…In the Director’s Choice the full Theme and Variations will be performed. (It is always a toss up when buying tickets in Southern California because we have amazing venues that book touring companies, in October the Australian Ballet is coming with Swan Lake, the same time Los Angeles Ballet is doing Swan Lake… Which one would you pick? Then again in March Los Angeles Ballet will be doing sleeping beauty while American Ballet Theatre presents the Sleeping Beauty in Orange County.)

15-LAB-Quartet — Chloe Sherman & Robert Mulvey in Christopher Stowell’s Cipher; Photo: Reed Hutchinson

Questionable timing from the artistic director duo if you ask me. But the two are thriving, mirroring co-directorship success like PNB’s Kent Stowell and Francia Russell. Colleen Neary in particular I think brings a very keen eye to the company, which I think more women should assume roles as ADs. Women are detailed oriented, planners, and I think just as visionary as male ADs. (Sexism is a completely different post… but regardless of the politics, I am fond of the pairing like a good cheese and wine combo.)

So, the company itself. The company has six unique principals, which I have all seen dance, but of the principals two are beyond exceptional: Allynne Noelle and Zheng Hua Li. I probably could watch them dance post modern and be entertained, if you knew me you would understand the humor. Allynne brings this vivacious charisma to the stage while Zheng Hua Li has the most subtle, amazing, deep plié. Of the soloists Alexander Castillo shows a lot of promise, his physique is gorgeous on stage as well.

Allynne Noelle & Ulrik Birkkjær in “Agon”. Photo: Reed Hutchinson

But what I love the most are their women in the corps: Britta Lazenga was stunning in Serenade and couldn’t keep my eyes off of her. Katherine Cowgill has a stoic, aristocratic way of dancing which reminds me of old school ballet. Kate Highstrete has legs for days with subtlety. (I love me a good subtle dancer.) Katherine Revels and Chloe Sherman also were stunning with a young unique charm in Serenade. In the corps excitement comes with their new hires. They brought on Jasmine Perry, who was made popular from TEEN VOGUE’s STRICTLY BALLET, and is also the only African American female in the company. They also hired freshly out of SAB Samuel Akins, who is another young African American. As a side commentary, I applaud LA Ballet’s racial diversity, since other companies, with ridiculous budgets still will not hire black dancers. (I won’t name them, even though I should.) It is always exciting when young companies hire straight from school dancers because it is a make it break it moment for these dancers. Both are exceptionally talented, and because full length classical ballets offer numerous roles, I hope they get cast in a lot. (Then again, it could also be disastrous as they are straight from SAB and will be dancing classical ballet.) Young dancers keep ballet alive, as they are the new talent that will eventually replace older talent. Their careers are new and fresh, which might bring some excitement, naivety, and that tenacity you develop in school.

Katherine Cowgill & Zheng Hua Li in 'Swan Lake'. Photo: Reed Hutchinson — Katherine Cowgill & Zheng Hua Li in ‘Swan Lake’. Photo: Reed Hutchinson

Five reasons why you should see Los Angeles Ballet this season if you are in the area:

As ballet dancers, as artists, as humans, we need to support the arts in any capacity. So, why not save the money and not go to Starbucks or out drinking and go to the ballet? You get to still dress up, and if you are single you might meet someone great. Since most of us gays drop hundreds if not thousands of dollars in liquor in West Hollywood, why not spend the money on something that is actually helping our community?
Because Los Angeles Ballet is a new company, you never know what is going to happen. There are no preconceived notions and you can make an opinion for yourself.
Sleeping Beauty this year is going to be a world premiere for Colleen Neary and Thordal Christiensen which means their version of Sleeping Beauty might be more entertaining than most. I mean the reality is, we have sat through a lot of boring versions… This one is going to be new, so I have high hopes.
Theme and Variations! If you are fan of NYCB and can’t get to NYC, LA Ballet will be doing Theme and Variations, a Balanchine Ballet. If you aren’t familiar with Theme and Variations, it is a beautiful ballet that really tests the entire company. Also it opens with the most beautiful walking tendus…. Talk about needing good feet.
Finally, you might run into me. That is a pretty darn good reason if you ask me.

July 17, 2014June 22, 2016

You know you trained Balanchine if…

Have you ever gone to an audition, and you are sizing up the competition before the class begins? It doesn’t even have to be an audition, it can just be an open class. As you look around, you start to size dancers up by “look”. Instantly, you can spot those dancers. Balanchine trained dancers. Even before barre starts, even before the first piano chord is played and you take your first plié, you can tell… You can spot Balanchine boys pretty easily: the white socks and white ballet shoes on black tights with a white shirt. You can usually spot Balanchine girls by their high buns, or the Balanchine bun (it is like a hybrid bun/ french twist). Once the music starts, then you can really tell who trained Balanchine, here are some of the “giveaways”… and if you trained Balanchine, you might get a giggle…

So, you know you trained Balanchine if…

1. Your hands are remotely “claw” shaped. This could be the modified CPYB hand, or the hands that come from Ballet Austin (kind of a more contemporary relaxed version). You know you came from SAB if you are really all about the “claw” and broken wrist. Yup, just by the hands you can tell.

2. Your tendus are over crossed and you automatically assume the accent is in or down.

3. You don’t use elaborate port de bras during barre combinations. During port de bras and cambré you roll through your spine instead of a straight back.

4. Your developpés happen in one count, or less, but this idea can be applied to grand pliés, or anything for that matter.

5. When coming out of a relevé you emphasize the pressing of the heels down.

So, that was just barre… Center (Centre)

You know you trained Balanchine if…

1. The obvious… Pirouette off of a straight back leg, and for fun you try to turn from a ridiculously large, deep, exaggerated fourth.

2. You are awesome at petite allegro.

3. In assemblé you bring the supporting leg to the working leg, and in jetés your coupe happens instantly- and you might bend a little for show…

4. In your saut de chat.. your back leg is probably higher than your front. During grand allegro you probably travel the furthest…

5. You over cross everything… including port de bras.

6. You know you came from SAB if you have Suki Schorer’s voice in your head saying, “no, AND one.”

(And as a side comment: Balanchine dancers are my favorite to watch, and I think the Balanchine Aesthetic… since that is what it is now being called instead of technique… is gorgeous. Insert European remarks here…)