In This Issue… SEPTEMBER 2016

I can say that we did it… and it wasn’t just me… It was tons of people all across the United States helping me put this together. But it is official… As of 3 minutes ago the mock-up was completed, and off to be proofed two more times. So, for those of you who have actually been wondering what is going in the issue, I can finally preview of what is in our first issue…

But it wasn’t just me who made this happen. It took a lot of us!

First I want to thank a Ballet Education’s quite large team… It was a lot larger than I would have ever imagined. So thank you… thank you… and thank you…. If you didn’t know, everyone who worked on this issue worked for FREE!  ! So I wanted to say thank you for the entire team that pulled this issue together: Bethanne Black, Cj Perez, Edgar Chavez, Jacquelyn Bernard, Emily Kadow, Daryl Manese, Dorothy Crouch, Amber Whitehead

I would like to thank all of the photographers who let me have their art for free! So thank you to Alexandra Rose, Kenneth B Edwards, Jack Stewart, and Emily Kadow.

I would also like to thank everyone who took the time to be interviewed and or photographed for a Ballet Education: Allynne Noelle, Ashley Ellis Kate Kadow, Emma Nelson, Sunni Thomason, Shane Tice, Peter Stark, and more.

A Special Thanks to Bliss Tulle, the Kadow Family, the YAGP, and Wear Moi.

If you have not subscribed to the digital magazine you don’t want to miss out! Subscribe before August 15th and the price is $19.99 for the whole year, after august 15th, it will be $29.99 – not my choice, the publisher choice. Click here to subscribe!

So, here is what we have ready for you in the issue!!!!


COVER STORY: Suzanne Farrell Ballet’s Soloist Allynne Noelle: An intimate portrait of a beautiful woman. Interviewed by Jacquelyn Bernard and photographed by Alexandra Rose.


september issue preview
Kate and Sunni photographed by Jack Stewart


STYLE: Emily Kadow takes on Cool Kids. A fashion spread on the lifestyle of ballet dancers. Photographed by dancer Jack Stewart and Emily Kadow this beautiful editorial features dancers from various companies around the US.


Ashley Ellis photographed by Kenneth B Edwards


BALLERINA IN BUSINESS: Boston Ballet Principal and successful entrepreneur Ashley Ellis gives us a little insight in balancing her ballet career and being a business woman. Photographed by Kenneth B Edwards, story by David King.

foodie 1
 Former dancer Daryl Manese takes on eating healthy and includes a recipe that is both easy and delicious.

ATLANTA’S NEWEST VISION : Bethanne Black got to meet up with Atlanta Ballet’s new Artistic Director, Gennadi Nedvigin and talk about what is to come for the company.

HOROSCOPE: Sarah Jaffe takes us through upcoming energies for ballet dancers for the months ahead.

NOTES ON TECHNIQUE: David King takes on another technique and walks us through pliés for dancers at various points in life and gives his method of teaching pliés.

WHAT’S ON: Five seasons to watch and upcoming performances you don’t want to miss.

DANCE BAG MUST HAVES: Amber Whitehead takes us through dance bag essentials, building your dance bag, and dance bag must haves.

BALLET 101: Dorothy Crouch takes an in-depth look at preparing for ballet class and starting ballet with the right kind of attitude.

and more!!!

Goodbye Ballet

When Your Body Decides to be Done with Ballet
Susie Boyland, contributing writer

Swan Lake 2012 ROH, Swan Lake 2012 ROH
original artwork by Susie Boyland- Swan Lake

If you are heavily dedicated to ballet, it becomes your life and a major part of your identity.  Whether you dance purely for fun or as your career, ballet consumes your every thought and many hours of your day, every day for years on end.  It keeps you in great physical shape and there’s no need to go to “the gym” like most “normal” people.  However, at some point, whether it be at age 15 or 90, everyone’s body decides that it will no longer put up with the physical demands that ballet places on it and somehow we have to figure out how to deal with that.

At the beginning of last year I was devastated to hear that I either needed to have hip surgery or stop dancing.  Dance was never my career, but nevertheless it was (and is) a big part of my identity.  A few months later I was told that actually I needed to have hip surgery AND stop dancing; it was no longer an either-or, it was both.  It’s been 8 months since my surgery and I have yet to figure out how to process this.  I’m still recovering physically and I’m also in denial that I will never again do another grande jeté – my favorite step.  The surgery went well, but my body still seems to be complaining and my surgeon advised against returning to ballet unless I want to be sure of having a hip replacement in my future.  I haven’t taken a dance class in months, but in my mind it feels like it’s just an extended “break” until I can go back, like it has been in the past.  I have taken long breaks due to injury before – in fact I think my longest break from ballet before now was 9 months – but I always knew that at some point I would be able to return and eventually get back to full strength.  This time, that isn’t the case.  I can’t go back, at least not fully.  How are you supposed to deal when you’ve taken your last class and at the time you didn’t even know it?

Former PNB principal dancer Carla Körbes stated before her retirement that perhaps she could have kept dancing at 80% but it wasn’t worth it to her because she needed to dance at 100% in order for it to be fulfilling.  I fully understand that.  In ballet, holding back is not really an option.  Either you go all out or you don’t do it at all. Modifying steps in class due to an injury is not fun and I can’t imagine having to do that for the rest of my life.  I don’t want to go through every class having to think things like, “If I do this step, will I be in pain for days after?  Will I need surgery again if I do this combination full-out?”  Ballet is about pushing limits and going to the extreme so if you can’t allow your body to do that anymore, it just doesn’t feel right.  Pushing the limits of the human body’s capacity is part of what makes ballet so intriguing.  Unfortunately, this aspect of ballet is also what over time erodes our bodies to the point that we can no longer do what we used to be able to do.

I don’t think there is really any one way in particular to deal with the difficulty of not being able to do ballet anymore.  The one thing you can be sure of though is that you know you are able to feel a strong passion for something.  Just like after a breakup or a death of a loved one, you will recover and you will find your passion again, though this time it will be for something else.  Perhaps it will be ballet-related, or perhaps it’ll be something else entirely.  Regardless, you can take comfort in the thought that you have the ability to feel so strongly about something.   Some people don’t have this ability.

Along with the ability to feel passion, ballet dancers have certain other qualities instilled in them that will allow them to excel in any field: determination, persistence, commitment, and an extremely strong work ethic, just to name a few.  Dancers know how to push through pain, conquer the seemingly impossible, and make something incredibly difficult look polished and effortless.

So, when you’re faced with the reality of having to stop dancing, first take some time to grieve – it is, after all, essentially a death.  But this death is different than most in that it presents along with it a chance for a new beginning.  Once you get through the fog and confusion of figuring out how to move on, you’ll find that the world is full of wonderful new opportunities to explore.  I’m still working on finding a new form of physical activity that I both enjoy and my body lets me do, but in the meantime I am pouring my heart and soul into my new passion: photography.  I especially love photographing gymnastics competitions and someday hope to have the opportunity to photograph dancers.  The same passion and energy that I felt for ballet is starting to present itself to me in photography.  Also, I’ve found that after ballet, almost everything else seems relatively easy!

I can’t bring myself to say “I used to be a dancer” rather than “I am dancer” and I don’t know if I ever will.  Using the past tense makes it more real and I’m not ready for that, despite the fact that I’m discovering new interests.  Olympic gymnast McKayla Maroney recently did an interview where she talked about how hard it was to have to stop doing the activity that used to be her entire life.  She stated that she didn’t want to use the word “retire,” as so many gymnasts and dancers often do when they hang-up their leotards and pointe shoes.  This is the same way I feel about using the past tense, i.e. “I used to dance.”  In my opinion, once a dancer, always a dancer.  McKayla Maroney will always be a gymnast and I will always be a dancer, even if the only dancing I do is in my head.


You can see some of Susie’s photography work here and follow her on Twitter at @Gymtertainment.  She also has gone a bit crazy in her post-ballet life and makes videos in a T-Rex costume.

Read Susie’s other article about careers after ballet by clicking here