This Week In Ballet…

ballet news topIt is the first week of 2018, and it already has me thinking… a lot. Between Peter Martins retiring, YAGP Philadelphia being postponed, YAGP Seattle underway, new job offers, new job titles and the pressure of ballet building… it has really made me start to think about a life outside of ballet.  Don’t forget you can watch live streams of the YAGP… you have to pay… but it’s enjoyable.

Let us recap A Ballet Education’s Ups and Downs of 2017…
January: I left a job that was basically a lie and the board was stealing. Found out my blog was ranked number 2 as a dance resource and ballet blog in the world, over the Gaurdian, NYT, and Pointe.
February: Depressed.
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March: YAGP FINALS, developped a tremor in my hand and body, quit drinking
April: Blogging and Writing, went Gluten Free
May: Master Teaching Everywhere, became a Red Bubble Top Seller
June: Offered the Job at American National Ballet, met some really great people.
July: Master Teaching at Masters,
August: Moved to Charleston… mid August- left ANB, went Vegetarian
September: Blogging and Writing and Teaching Everywhere, made it one year of the magazine.
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October: Given the Chance to work at Phoenix Ballet, got screwed over by close friends, went Vegan
November: Guest taught more, wrote more, traveled to a million places… Worked on my getting my children’s book out there again… fail.
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December: Survived 16 shows of Nutcracker as Executive Director, photographer, Guild Coordinator, celebrated Christmas with my family… barely wrote. Lost a ton of weight.

Don’t get me wrong, I saw a lot of great ballet and had amazing opportunities. I am just glad I can look back at 2017 and be done with it.

… now onto January 2018 

So far, I have found out that my blog is now Ranked Number 1.
I was given the chance to freelance work in fashion again, and enjoyed it. I have only had two flights delayed, one in which I canceled. Given the chance to buyout of my place in Charleston, which I haven’t been to 3 months. I miss my bed, my clothes, my books. Now I have to figure out those logistics. Mmmm, signed two cool deals that will launch in March.
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Decided to cut back on teaching this year and focus on the things that I want in life… And it is only day 5, so I can’t really say it is that great of an accomplishment, but I quit smoking. Have turned into a raging b*tch… But decided since my tremor hasn’t come back to attempt the gym and ballet classes again…

 

 

 

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5 Inspiring Women in Ballet

In Ballet right now there are many women fighting their rightful way into leading positions in the ballet world. It isn’t enough now for these women to retire and become teachers. They are pushing forward for jobs like Artistic Director, Creative Director, Executive Director, Resident Choreographer and more. As ballet is slowly progressing, women in ballet are taking things into their own hands. Here are just five women who are extremely different, extremely talented and have something to say in the world of ballet.
five inspiring women in ballet

>> Tamara Rojo, Two Jobs One Passion

The Spanish sensation, Tamara Rojo has had a stellar career and still at the age of 42 is wowing audiences as lead principal at English National Ballet. But it doesn’t just end there, she is also the Artistic Director of English National Ballet and has now nurtured ENB to be one of the best companies in the world with a repertory to die for. She is also making way for more female choreographers and repetiteurs with Anna-Marie Holmes re-staging of Le Corsaire.

>> Larissa Saveliev, founder of the YAGP

Russian-born Larissa Saveliev established the YAGP in 2000, and since then has awarded over 3 Million dollars in scholarships. The YAGP reaches over 7,000 dancers a year and helps mold their technique and career paths through their master classes. She has also established the bi-annual Job Fair, the Emerging Choreographer Series, and Legends in Dance Galas.

>> Ashley Ellis, RubiaWear 

Boston Ballet Principal, Ashley Ellis took a hobby of knitting and turned it into a mega brand, all while dancing. Her leg warmers and warm ups are everywhere, all while balancing dancing full time. One for the female entrepreneurs. You can catch Ms. Ellis in Boston Ballet’s production of the Sleeping Beauty opening this weekend.

>> Michaela DePrince, Author & Role model 

First Position superstar, Michaela DePrince not only became a role model for young girls everywhere but now has authored multiple books and one that was just optioned by MGM for a movie. The Dutch National Ballet Soloist is carving her way into the world of ballet, and carving hard so that others that will follow won’t have to.

>> Hee Seo, Hee Seo Foundation, YAGP KOREA

She isn’t just the first Korean principal at American Ballet Theatre, she is also changing the landscape of ballet in Korea. Hee Seo started her foundation last year in hopes to start connecting Korean dancers to more opportunities, and it is working. Additionally, her foundation is helping boys in ballet compete at the international level, in hopes of avoiding/being excused to their mandatory two years to the Korean army.

BREAST REDUCTIONS FOR BALLET GIRLS…

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How big is too big? How much would you do for your son or daughter? Recently something came up that isn’t necessarily rare in ballet, but it is definitely something unspoken. Your child did everything right. Started ballet at three, became serious at eight, and at twelve, she was accepted to School of American Ballet on scholarship. She spent her next three summers at PNB, Houston and Boston. Again, you did everything right. You spent the money on a great year round studio; you drove a 40-minute commute to make sure she got the best training in your area. You rarely see your other kids because of long hours at the studio. Then at fifteen your daughter’s body changed, and she grew breasts. She grew a “c cup” but the remainder of her body was thin… This year she auditioned and didn’t get into a big ten school, but waitlisted to Boston. What do you do?

Is it okay when your fifteen-year-old daughter asks for a breast reduction to have a fighting chance in ballet?

I know plenty of girls who have gotten nose jobs, boob jobs, their ears pinned back and more to obtain a better line, a better physique, a prettier face. Most of these girls have contracts with major companies. So is it wrong? Living in Los Angeles it is normal for a girl to get a new nose for her sixteenth birthday. And it is normal for a girl to get implants at twenty-one. But, for some reason, when a fifteen-year-old girl asks for a breast reduction just to have a fighting chance in ballet… The world becomes completely unfair and my anger at ballet builds and explodes… So here is my post for the night:

Ballet Companies and ballet schools are two peas in a pod, but can be extremely different. The pod is ballet. Unfortunately, schools seem to be even more demanding than a company. This is true from the get go. In ballet school, you learn the most ridiculous combinations, and do the most ridiculous things, and over work your body till exhaustion. In a ballet company, the combinations are to warm your body up and to stay sharp. You don’t take more than one class in a day, and you spend most of your days in rehearsals. Sure, school builds stamina and teaches you worth ethic, but the demands on a ballet student are completely different than in a company. Both are extremely stressful but different. But it seems ballet schools are even more demanding than ballet companies.

The body type factor was extremely apparent this year. This year, I went to watch my students audition, and it seems that the push towards “perfect” bodies is more apparent now more than ever. Schools won’t even give you a chance is your body type is remotely different or differently proportioned. It seems schools are seeking taller dancers with extreme European proportions. And, with the influx of ballet students worldwide, they get to choose these body types, even now more than ever. Because of this, I now have a student who has to find a way to have a breast reduction because her chest is too developed.She is Latina, and her genetic body type is predetermined, she now has to find a way to raise money, secretly, to even have a fighting chance in ballet.

Yes, every body type is predetermined, but race and genetics continue to be a wall in ballet. The older generations of ballet teachers might not even understand ethnic body types, how they work, how different individuals and body types translate ballet technique. It is so frustrating, and while I do understand these racial body types, if other teachers and school directors are not familiarizing themselves with this process, then ballet will never change. That means the 2 percent of ethnic body types that fit the “ideal body type” will make it, the rest won’t.

This leads to me to say, shame on all of you school directors. As Artistic Directors only can pick from what you give them, get off your high horse and give them some diversity. But if you are presenting artistic directors with one body type, one ethnicity, shame on you. If you can’t grasp the idea of an ethnic body type in your school, or make allowances for ethnic predispositions, super shame on you. Actually, shame on all of you… So to PNB, SAB, HOUSTON, and BOSTON BALLET SCHOOLS… You missed out on a great dancer, with a great work ethic, who is exceptionally gifted. And while you go on your summer audition tour and make all of the money you make, just know, that either because of racism, body type, or lack of experience with ethnic body types… You are now making children want to alter their bodies to please you.

You might think that I am ridiculous. That I am just mad that my student gets into a school of their choice. But seriously, she is technically gifted at every standard: perfect turn out, hypermobile, beautiful feet, hyperextended; triple pirouettes left and right en pointe, 180 penche, oversplit saute chats, beautiful musicality, and a hard work ethic. If you are asking for more than that, then good luck with your schools…

This isn’t the first time this has come up, and I know a couple moms here have written in and I avoided responding… Well, I’m tired of waiting for ballet to change…


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You Know it’s Nutcracker Season when…

Between the holiday Starbucks cup fiasco and preparing for Black Friday sales, the ballet world is faced with our dreaded but magical annual tradition of The Nutcracker. Every year around this time, whether it be at Starbucks, the bank or even at some retail store, I am standing around and then it comes on the speakers. That dreadful tune that ushers in the holiday season. While the majority of the world associates it with that one song from that one commercial, ballet dancers around the world hear it and immediately identify the composer, the act, the choreography and the costumes. Yes, it is the Nutcracker. Recently, I was standing in line with my pas de deux partner, and the music for Snow Pas came on. While it is one of the most beautiful pieces composes for the Nutcracker, we immediately looked at each other with fear in our eyes. Yes, fear. We had just started rehearsals with new choreography knowing that the show goes up in three weeks. We both haven’t been on stage for more than four years, and we immediately decided to order skinny lattes knowing we are about to be in white tights. So, in the tradition of Nutcracker, and in a Ballet Education’s five things…

Nutcracker Season

You Know It’s Nutcracker When…
1. You hear Nutcracker music outside of ballet and want to kill yourself.
2. 1/3 of your company is injured, or battling tendonitis but still powering through ridiculously long rehearsals that you don’t want to be in.
3. You know every part of Nutcracker, but still are forced to rehearse, clean and tech it all. In fact, you have probably danced every part of Nutcracker at some point of your life.
4. This time of the year everyone is all about the holiday cheer and festivities, but you are the most tired you have ever been. You want to crawl into a ball and die. You still have to rehearse everything else outside of Nutcracker for the upcoming season’s bills, so your mind is on overload. It is just yucky.
5. You are a boy, and its Nut season and all you want to do is be Kyra Nichols as Dewdrop. Yes, you want to be Balanchine’s infamous Dewdrop and dance the most beautiful entrances, have the most swayed back ever, and dance to the loveliest of music.

Here are some of last year’s Nutcracker Posts:
THE BEAST THAT IS THE NUTCRACKER

5 AWFUL REALITIES OF NUTCRACKER

THE NUTTINESS OF NUTCRACKER

MARK YOUR CALENDAR: MAY 15

Hee Seo in A Month in the Country, Photo: Marty Sohl  via WordPress.
Hee Seo in A Month in the Country, Photo: Marty Sohl
via WordPress.

ABT’S 75TH ANNIVERSARY! CLICK THE LINK BELOW… GORGEOUS VIDEO!!! YOU MIGHT DIE!!!

http://www.wsj.com/video/exclusive-clip-american-ballet-theatre-a-history/52FAA9EA-5642-4E18-AECF-B7E52B56D45A.html

PBS will be adding American Ballet Theatre to their American Masters series! Take a look at 75 years of magic. In the Wall Street Journal it was revealed that footage of Robbins, Balanchine, Agnes de Mille, Tharp, Baryshnikov, Alicia Alonso, and more will be a part of the documentary. Don’t forget, American Ballet Theatre’s 75th Annual Gala is May 18th at the Met.

If you are in NYC April 21 & 22, the Royal Ballet School Exchange and ABT Studio Company Performances are at the Ailey Citigroup Theatre. Tickets are only 20 bucks. Totally worth it. See rising ballet stars dance amazing choreography. Who wouldn’t want to go? Buy tickets here.