Germany isn’t the first place that comes to mind when you think ballet, or dance in general. But since the 60’s German companies have risen, and have produced some of the most amazing works, or choreography today. Particularly, there are two companies in Germany that have risen to the occasion establishing them among the best: the Hamburg Ballet, and Stuttgart Ballet. In edition a baby ballet company in their 8th season has risen and made quite the splash in the ballet world: the Dreseden Semperoper Ballet.

Stuttgart Ballet (Company): Housed at the Opera House in Stuttgart, and founded by John Cranko, and now headed by Reid Anderson, the Stuttgart Ballet employs 65 dancers. Why is this so relevant? John Cranko has made numerous contributions to the world of ballet by extending the classical ballet repertory and mentoring: Jiri Kylian and John Neumeier. His two biggest contributions to the “classical” repertory have been the Prince of Pagodas (Royal Ballet) and Eugene Onegin.

Hamburg Ballet (Company):Reinvented by John Neumeier in 1973, the Hamburg Ballet has flourished. Their website boasts that under his direction of 40 years, over a 180 new ballets have been presented, 421 dancers have been employed, and their list of accomplishments goes on. The Hamburg Ballet has made huge contemporary contributions to the world of dance, one of the most noted is John Neumeier’s Little Mermaid.

Then there is the new comer to German Ballet, the Semperoper Ballet. Starting their ninth season, Semperoper Ballet is making their splash in the dance world. Most of their dancers are extremely flexible, and very technical, and have gathered dancers from numerous international schools. For a company in their 9th season, they have recruited some of the best talent out there. In addition their exposure on social media has been growing, especially from their men. With dancers from across the globe Semperoper is definitely starting to make a name for themselves, and their creation of Nutcracker video Via Youtube is pretty cool as well.

In addition another young company is slowly making it’s way into the limelight: The Forsythe Project.. After the close of Ballett Frankfurt, the Forsythe Project was created to lead a group of individuals with innovative choreography. The project has paid off well, and for those of you who are in America who would be dying to work with William Forsythe, he joins the faculty at USC for the 2015-2016 school year in their new dance department. (Good time to be going to college.) In addition, it seems that the Germans are all about premiers, pushing the boundaries of innovation, choreography, music and lighting. With a strong number of choreographers, it seems that we will now be looking to Germany for the next standard repertory. (This being that eventually we will replace the Balanchine Repertory with the German Repertory, which will either be replaced by Ramatsky, Wheeldon, Millpied, Justin Peck, Myles Thatcher.)

More German companies are making appearances in the US, as Hamburg Ballet and San Francisco have created a strong bond between Europe and the States. As Southern California this season is bringing in companies from all over, it will be nice to see how everyone compares. especially to our home companies.