AND THE OSCAR GOES TO… the top 10 ballet companies in the world

With the Oscars around the corner, it means it is time for a Ballet Education’s award season. With that about to happen, after two years of hesitantly writing a list of actual top ten companies… I have given in.

top ten ballet companies
A lot of you have asked if I could rank the top ten ballet companies in the world… And so, because I am so obliging to your requests, sure, why the hell not. I have postponed this post because a lot of things get factored in when looking at a company:

The Caliber of Dancer: where they have trained, artistic merit, technical achievements.
The Size of the Company, good things come in small packages sometimes, a lot of the times. Larger companies though employ more dancers, so from a financial or economic standpoint, that is a factor.
The Repertory, both current and old. Repertory feeds the dancer’s soul and sells tickets. Is the company innovating?
Going on tour: Is it a home company or touring company? That is a significant factor too. Touring companies have a lot of worldwide recognition, and home companies have a stable audience.
Does the company have a school that feeds the company creating a lasting relationship between the young community and the current ballet audience?
What is good ballet? That is probably the most subjective… but that can always be defined by the real question of, “What is Ballet… Today.”

So… if we look at what ballet is today, it is isn’t this rigid fairytale designed by composers and directors. It has evolved so much more than that. Nowadays, ballet is encompassed by what can be defined as neo-classic, and a lot of contemporary (as in works being done today) works. The current ballet vocabulary is expanding, and because ballet vocabulary has always set the standard for dance… Thanks to the codification of ballet in France… It has always been that way… But now, the language of dance is melding with cultural references and different genres, it is exploring new depths of music or the lack thereof, and the ability to transpire a new quality of dancing.

If by definition of the art form, classical ballet is the art of constraint.
Then neoclassical ballet would be that of the 20th century, so Balanchine, DeMille, Graham, Robbins
And if current or contemporary ballet is that of Tharp, Forsythe, Kylian, Neumeier, Wheeldon, Ramatansky, Elmo, etc
And if the future of ballet is being defined by Peck, Thatcher, Simkin and Cirio then we can classify these companies quicker.

But unfortunately, there are really only five ballet companies that set the tone of the ballet world and here is the reason why:

The Paris Opera Ballet: they set the tone for turnout and the foundations of technique. Paris Opera employs 150 dancers and takes residency between Palais Garnier and the Bastille Opera House.


The Bolshoi Ballet (or interchange it with any random Russian company that hires from Vaganova School): they set the tone for Adagio and body type. The breeding ground for Russian superstars, the feeder school to Bolshoi is BBA but the rivaled Russian companies are fed by Vaganova Academy.

The Royal Ballet: they set the tone for technical powerhouses, turns/jumps. Prix winners go there to build a name for themselves. Takes residency at the gorgeous Covent Garden.

The New York City Ballet: they set the tone for musicality, speed and new works. Residing at Lincoln Center, the only American Company that resembles and performs as much as a European home company.

Nederlands Dans Theatre: they set the tone for innovation and new ways to move. Between the first and second companies, the two employ 46 of the most fundamentally interesting dancers in the world. Originally founded by Jiri Kylian and now under the Artistic Directorship of Paul Lightfoot, this company is always pushing the edge of innovation. (A lot of you might think to switch out Nederlands Dans Theatre with Stuttgart, and you could be right. I just believe that Nederlands pushes innovation more while Stuttgart offers a more diverse repertory.)

These five companies are also ridiculously accessible these days. With Social Media being the new innovator and the new audience, ballet companies like these five are creating the trends for ballet. With repertory to die for, these companies set the look and feel of ballet, but without a doubt– these companies border between classical and neo-classical companies. I don’t see Nederlands of City Ballet attempting to take on say: The Little Humpback Horse or the full length Raymonda… There are companies who truly are classical, and their schools reflect that as well. I think that these companies have had to expand their repertory because of the demand for new works by both the dancers and the audience.

So the top 10 Classical Ballet Companies in the world would be, in no particular order… Again NO PARTICULAR ORDER, before you all go crazy:

1. Paris Opera Ballet – COMPANY WEBSITE
2. National Ballet of Cuba – COMPANY WEBSITE
3. Bolshoi Ballet/ Kirov/ Mariinsky –BOLSHOI WEBSITE
4. Royal Danish- Bournonville technique- WEBSITE
5. The Australian Ballet – Website
6. Het National Ballet/Dutch National Ballet-WEBSITE
7. American Ballet Theatre- WEBSITE
8. Teatro La Scala – COMPANY WEBSITE
9. National Ballet of Canada –WEBSITE
10. The Royal Ballet – COMPANY WEBSITE

The top 5 Neo-Classical Ballet Companies would be:
1. New York City Ballet
2. Nederlands Dans Theatre
3. Stuttgart Ballet
4. San Francisco Ballet
5. Eifman Ballet
Now my personal list of top 10 companies in the world, the list that really matters:
1. New York City Ballet
2. Paris Opera Ballet
3. Bolshoi Ballet
4. Alonzo King’s LINES
5. San Francisco Ballet
6. Pacific Northwest Ballet
7. American Ballet Theatre
8. Australian Ballet
9. Dance Theatre of Harlem
10. Ballet Black

6 Replies to “AND THE OSCAR GOES TO… the top 10 ballet companies in the world”

  1. Awesome idea for a post! However, I don’t agree with placing NYCB at such a high standard all around. But, just like the Oscars, we are all allowed personal opinions about art 🙂 Thanks for keeping your posts going!

    Liked by 1 person

  2. I’m interested to know how Stuttgart is considered a neoclassical ballet company. The attached John Cranko Schule definitely teaches Vaganova.

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    1. In my opinion, the Repertory at Stuttgart is much more on the neoclassical side of things. The Cranko School is one of the best schools in the world, but I do believe that the company repertory at Stuttgart is much more contemporary…. If you look at their current season, it is extremely innovative and full of contemporary works.

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  3. Um.. Isn’t the feeder school of the Bolshoi Ballet the Bolshoi Ballet Academy rather than the Vaganova Academy (as you’ve written above)? The Vaganova is the associated school of the Mariinsky..

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    1. Sorry, incomplete thought without editing last night. I was just saying that bolshoi and mariinsky are equally matched and interchangeable.

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  4. Just curious for your opinion why do you prefer the bolshoi so much more than the mariinsky??

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